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020 _a9783110710953
_qprint
020 _a9783110711028
_qEPUB
020 _a9783110710991
_qPDF
024 7 _a10.1515/9783110710991
_2doi
035 _a(DE-B1597)9783110710991
035 _a(DE-B1597)562872
035 _a(OCoLC)1232277927
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN2595.13.E97
_bS85 2021
072 7 _aLIT013000
_2bisacsh
082 0 4 _a792.0941
_223
084 _aonline - DeGruyter
100 1 _aSuk, Jan
_eautore
245 1 0 _aPerforming Immanence :
_bForced Entertainment /
_cJan Suk.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2021]
264 4 _c©2021
300 _a1 online resource (XII, 194 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aContemporary Drama in English Studies ,
_x2194-9069 ;
_v29
505 0 0 _tFrontmatter --
_tAcknowledgements --
_tCopyright Acknowledgements --
_tContents --
_t1 Theatre & In-Between --
_t2 Deleuze & Performance Theatre --
_t3 Immanence and Tim Etchells’s Prose Texts --
_t4 Devised and Durational Performances of Forced Entertainment --
_t5 Durational Performances of Forced Entertainment --
_t6 Performing Immanence: Theatre of Forced Entertainment --
_tWorks Cited --
_tList of Illustrations --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aPerforming Immanence: Forced Entertainment is a unique probe into the multi-faceted nature of the works of the British experimental theatre Forced Entertainment via the thought of Gilles Deleuze and Félix Guattari.Jan Suk explores the transformation-potentiality of the territory between the actors and the spectators, namely via Forced Entertainment’s structural patterns, sympathy provoking aesthetics, audience integration and accentuated emphasis of the now. Besides writings of Tim Etchells, the company’s director, the foci of the analyses are devised as well as durational projects of Forced Entertainment. The examination includes a wider spectrum of state-of the-art live artists, e.g. Tehching Hsieh, Franko B or Goat Island, discussed within the contemporary performance discourse.Performing Immanence: Forced Entertainment investigates how the immanent reading of Forced Entertainment’s performances brings the potentiality of creative transformative experience via the thought of Gilles Deleuze. The interconnections of Deleuze’s thought and the contemporary devised performance theatre results in the symbiotic relationship that proves that such readings are not mere academic exercises, but truly life-illuminating realizations.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 0 _aExperimental theater
_zGreat Britain.
650 0 _aImmanence (Philosophy).
650 0 _aTheater and philosophy.
650 7 _aLITERARY CRITICISM / Drama.
_2bisacsh
653 _aDeleuze.
653 _aforced entertainment.
653 _aimmanence.
653 _aperformance.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110710991
856 4 0 _uhttps://www.degruyter.com/isbn/9783110710991
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110710991/original
942 _cEB
999 _c242460
_d242460