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| 008 | 230228t20202020gw fo d z eng d | ||
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| 035 | _a(DE-B1597)9783110716566 | ||
| 035 | _a(DE-B1597)567010 | ||
| 035 | _a(OCoLC)1202624876 | ||
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aCrossSections : _bProcessing Artistic and Curatorial Research / _ced. by Başak Şenova. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2020] |
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| 264 | 4 | _c©2020 | |
| 300 | _a1 online resource (272 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_aEdition Angewandte , _x1866-248X |
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_tFrontmatter -- _tTABLE OF CONTENTS -- _tCROSSSECTIONS PROCESSING ARTISTIC AND CURATORIAL RESEARCH -- _tTHE OPENING MOVE -- _tTHE (UN)KNOWN UNKNOWNS -- _tPHASES / MEETINGS -- _tTHE CORE MEETINGS -- _tMAKO ISHIZUKA'S PAGES ON THE CORE MEETINGS -- _tWHERE ARE WE NOW? WHAT ARE WE GOING TO DO? -- _tTHE SHARE MEETINGS -- _tTOWARDS THE REIGN OF THE CAT -- _tTHE PERIPHERAL MEETINGS -- _tTHE PUBLIC MEETINGS -- _tRESIDENCIES -- _tCHANGING PERSPECTIVES -- _tINVESTING IN THE UNKONWN -- _tA PLATFORM FOR ARTISTS AND CURATORS -- _tPROMOTING EXPERIMENTATION, REFLECTION AND DISCUSSION -- _tPROVOCATIVE COMMUNITIES -- _tA PROGRAMME IN DIALOGUE -- _tOUR DIALOGUE -- _tEMBRACING UNCERTAINTY AND SERENDIPITY -- _tOPEN-ENDED PROCESS -- _tDIALOGUE AND PARTNERING -- _tBARBARA HOLUB -- _tSHADES AND SHADOWS OF THE SOCIAL: THE BLUE FROG SOCIETY -- _tBEHZAD KHOSRAVI-NOORI -- _tSYNECDOCHE, YUGOSLAVIA -- _tBENJI BOYADGIAN -- _tIMAGINARY -- _tBENJI BOYADGIAN & BEHZAD KHOSRAVI-NOORI -- _tREGULATING TIME: THE OWLS, THE QUEEN, AND THE MAQUETTISTE -- _tBRONWYN LACE -- _tMIRROR MIRROR -- _tEBRU KURBAK -- _tINTERSECTING DIMENSIONS: CHRONOLACE STUDIES -- _tEGLE ODDO -- _tSPLITTER -- _tHEBA Y. AMIN -- _tOPERATION SUNKEN SEA: FLIPPING THE HISTORICAL NARRATIVE -- _tINMA HERRERA -- _tDRAWING OUT NEW SOUNDS FROM ONE’S INSTRUMENT -- _tISA ROSENBERGER -- _t... THE VAST LAND FROM WHICH SHE COMES -- _tLINA SELANDER -- _tON ÖVERFÖRINGSDIAGRAM NR 1 [DIAGRAM OF TRANSFER NO. 1] -- _tMARCUS NEUSTETTER -- _tDEFINING LINES -- _tNIKOLAUS GANSTERER -- _tTHE GESTURE -- _tNISRINE BOUKHARI -- _tLANDSCAPES OF UNCERTAIN TIMES -- _tOTTO KARVONEN -- _tJAILBIRDS -- _tRAMESCH DAHA -- _tI AM HEALTHY, I CANNOT WRITE THIS LETTER MYSELF -- _tRICARDA DENZER -- _tRICARDA DENZER’S AUFZEICHNUNGEN -- _tTAMSIN SNOW -- _tSPARE FACE -- _tTIMO TUHKANEN -- _tSONIC INDEPENDENCE -- _tYANE CALOVSKI -- _tOBSESSION, THINGS, AND NARRATIVES -- _tBAŞAK ŞENOVA -- _tEXHIBITIONS AS CURATORIAL READYMADE FORMS OF ESCAPE -- _tA CONSTRUCTED MODEL: THE CROSSSECTIONS EXHIBITIONS -- _tDESIGN OF THE EXHIBITIONS -- _tUTILIZING “TABLE” AS A DESIGN ELEMENT IN A RESEARCH-BASED CURATORIAL AND SCENOGRAPHIC PRACTICE -- _tCROSSSECTIONS_INTERVALS: EXHIBITION WITH ENDLESS COMPLEXITIES -- _tCROSSSECTIONS_POTENTIALS -- _tCROSSSECTIONS_INTENSITIES -- _tCROSSSECTIONS_INTERVALS -- _tPERSPECTIVES -- _tCROSSECTIONS_PERSPECTIVES -- _tSUPPORT STRUCTURE: THOUGHTS AFTER AN OPENING -- _tCROSSECTIONS_NOTES -- _tTHE FIRST MODEL -- _tTHE TRAVELLING MODEL -- _tTHE TRAVELLING MODEL -- _tSHADOW OPTICS -- _t...THE VAST LAND FROM WHICH SHE COMES -- _tBLUE FROG SOCIETY / A HABITAT WITHOUT TERRITORY SPEECH TO THE BLUE FROG SOCIETY IN ROMANES BY NANCY BLACK -- _tTHE WORLD IN COMMON -- _tCOMMUNITY ACTIVATION: B7L9 – BAHR LAZREG, TUNIS -- _tARTIST TALKS, PERFORMANCES, PRESENTATIONS, & GUIDED TOURS -- _tGUIDE -- _tBOOKLET -- _tBOOK -- _tCHRONOLACE, SEQUENCE #001 -- _tFRAGMENTS OF A FROZEN MOMENT -- _tCHAPTER 1, CHAPTER 2, CHAPTER 3, COORDINATES -- _tNOTES FROM THE POST-PRODUCTION PROCESS -- _tDEPARTMENT OF DESIGN, CRAFTS AND ARTS, KONSTFACK/CROSSSECTIONS -- _tEXPERIENCING AND EXPERIMENTING WITH THE CONDITIONS AND THE PROCESS -- _tEXPERIENCING AND EXPERIMENTING WITH THE CONDITIONS AND THE PROCESS -- _tCRAFT/CROSSSECTIONS -- _tKUNSTHALLE EXNERGASSE — WERKSTÄTTEN UND KULTURHAUS (WUK)/ FEDERAL CHANCELLERY [BUNDESKANZLERAMT] & KULTURKONTAKT/CROSSSECTIONS -- _tPARALLEL VIENNA 2018 -- _tUNIVERSITY OF APPLIED ARTS VIENNA/CROSSSECTIONS -- _tB7L9, KAMEL LAZAAR FOUNDATION/CROSSSECTIONS -- _tALIEN PALACE BIRDHOUSE COLLECTION -- _tEXHIBITION #2 -- _tEXHIBITION #4. VIENNA IS A MUSEUM -- _tTHE LOG -- _tACKNOWLEDGEMENTS -- _tIMPRINT |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aDieses Buch dokumentiert das von Başak Şenova kuratierte Projekt „CrossSections“ (2017–2019), eine interdisziplinäre Plattform zu künstlerischer Forschung, künstlerischem Dialog und künstlerischer Produktion. Unter Beteiligung von 19 Künstlerinnen und Künstlern sowie neun Institutionen wurden neue Strategien künstlerischer Forschung und neue Modelle des Ausstellungsmachens entwickelt und erprobt, mit zahlreichen Artist-in-Residence-Programmen, Ausstellungen, Performances und Präsentationen in Wien, Helsinki und Stockholm. In 56 Beiträgen untersucht das Buch alle Aspekte des Projekts „CrossSections“: Dabei werden unterschiedliche Formen und Methoden künstlerischer Praxis sowie kollaborative Modelle unter sich ständig verändernden Bedingungen und Vorzeichen nachvollzogen und präsentiert. | ||
| 520 | _aThis book documents the “CrossSections” project (2017–2019), an interdisciplinary platform for artistic research, artistic dialogue, and artistic production curated by Başak Şenova. In collaboration with 19 artists and nine institutions, Şenova developed and tested new strategies of artistic research and new ways of exhibiting, through artist-in-residence programs, exhibitions, performances, and presentations in Vienna, Helsinki, and Stockholm. In 56 contributions, the book documents all aspects of the “CrossSections” project, tracking and presenting different forms and methods of artistic practice and collaboration developed under constantly changing conditions and circumstances. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 4 | _aInterdisziplinäre Forschung. | |
| 650 | 4 | _aKunst. | |
| 650 | 4 | _aKünstlerische Forschung. | |
| 650 | 7 |
_aART / General. _2bisacsh |
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| 653 | _aInterdisciplinary research. | ||
| 653 | _aart. | ||
| 653 | _aartistic research. | ||
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_aEngqvist, Jonatan Habib _eautore |
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_aFahlström, Jennie _eautore |
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_aHerrera, Inma _eautore |
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_aHorvatinčič, Sanja _eautore |
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_aIvanoska, Hristina _eautore |
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_aKarttunen, Marja _eautore |
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_aKurbak, Ebru _eautore |
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_aNeustetter, Marcus _eautore |
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_aNorberg, Björn _eautore |
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_aOddo, Egle _eautore |
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_aO’Neill, Paul _eautore |
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_aPelzer-Montada, Ruth _eautore |
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_aPutz-Plecko, Barbara _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110716566 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110716566 |
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