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010 _a2021936228
020 _a9783110736991
_qprint
020 _a9783110731644
_qEPUB
020 _a9783110731606
_qPDF
024 7 _a10.1515/9783110731606
_2doi
035 _a(DE-B1597)9783110731606
035 _a(DE-B1597)573926
035 _a(OCoLC)1262307738
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aPA3092
_b.G73 2021
072 7 _aLIT004190
_2bisacsh
084 _aonline - DeGruyter
100 1 _aGramps, Adrian
_eautore
245 1 4 _aThe Fiction of Occasion in Hellenistic and Roman Poetry /
_cAdrian Gramps.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2021]
264 4 _c©2021
300 _a1 online resource (XVIII, 209 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTrends in Classics - Supplementary Volumes ,
_x1868-4785 ;
_v118
502 _aDissertation
_cTrinity College Dublin
_d2018.
505 0 0 _tFrontmatter --
_tForeword --
_tContents --
_tIntroduction --
_t1 Rethinking Mimetic Poetry and Callimachus’ Hymn to Apollo --
_t2 Figuring Occasion in Propertius 4.6 and Bion’s Adonis --
_t2 Occasion and Presence in Horace, Odes I --
_t4 Occasioning the Choral in Horace, Odes IV --
_t5 Conclusion --
_tBibliography --
_tIndex Rerum et Nominum --
_tIndex Locorum
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe aim of this book is to devise a method for approaching the problem of presence in Hellenistic and Roman poetry. The problem of presence, as defined here, is the problem of the availability or accessibility to the reader of the fictional worlds disclosed by poetry. From Callimachus’ Hymns to the Odes of Horace, poets of this era repeatedly challenge readers by beckoning them to explore fictive spaces which are at once familiar and otherworldly, realms of the imagination which are nevertheless firmly rooted in the lived reality of the poets and their contemporaries. We too, when we read these poems, may feel simultaneously a sense of being transported to a world apart and of being seized upon by the poem’s address in the here and now of reading. The fiction of occasion is proposed as a new conceptual tool for understanding how these poems produce such problematic presences and what varieties of experience they make possible for their readers. The fiction of occasion is defined as a phenomenon whereby a poem is fictionally framed as part of a material event or ‘occasion’ with which the reader is invited to engage through the medium of the senses. The book explores this concept through close readings of key authors from the corpus of first-person poetry written in Greek and Latin between the 3rd century BCE and the 1st century CE, with a focus on Callimachus, Bion, Catullus, Propertius, and Horace. The ultimate purpose of these readings is to move towards developing a new vocabulary for conceptualising ancient poetry as an embodied experience.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aGreek poetry, Hellenistic
_xHistory and criticism.
650 0 _aLatin poetry
_xHistory and criticism.
650 0 _aPlace (Philosophy) in literature.
650 0 _aReality in literature.
650 4 _aFiktionalität.
650 4 _aHellenistische Dichtung.
650 4 _aLateinische Dichtung.
650 4 _aLiteraturtheorie.
650 7 _aLITERARY CRITICISM / Ancient & Classical.
_2bisacsh
653 _aHellenistic poetry.
653 _aLatin poetry.
653 _afictionality.
653 _aliterary theory.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110731606
856 4 0 _uhttps://www.degruyter.com/isbn/9783110731606
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110731606/original
942 _cEB
999 _c242822
_d242822