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020 _a9783110754384
_qprint
020 _a9783110754551
_qEPUB
020 _a9783110754490
_qPDF
024 7 _a10.1515/9783110754490
_2doi
035 _a(DE-B1597)9783110754490
035 _a(DE-B1597)585299
035 _a(OCoLC)1344542231
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT000000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aVogel, Juliane
_eautore
245 1 0 _aMaking an Entrance :
_bAppearing on the Stage from Racine to Nietzsche /
_cJuliane Vogel.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter,
_c[2022]
264 4 _c©2022
300 _a1 online resource (XXXII, 293 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aParadigms : Literature and the Human Sciences ,
_x2195-2205 ;
_v14
505 0 0 _tFrontmatter --
_tAcknowledgements --
_tContents --
_tList of Figures --
_tTranslator’s Introduction --
_tChapter 1 Introduction --
_tChapter 2 Tragedy in the Court Space of Appearance --
_tChapter 3 Wavering Shapes: Goethe’s Theater of Entrances --
_tChapter 4 Triumph and Rending Movement --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHow does the entrance of a character on the tragic stage affect their visibility and presence? Beginning with the court culture of the seventeenth century and ending with Nietzsche’s Dionysian theater, this monograph explores specific modes of entering the stage and the conditions that make them successful—or cause them to fail. The study argues that tragic entrances ultimately always remain incomplete; that the step figures take into visibility invariably remains precarious. Through close readings of texts by Racine, Goethe, and Kleist, among others, it shows that entrances promise both triumph and tragic exposure; though they appear to be expressions of sovereignty, they are always simultaneously threatened by failure or annihilation. With this analysis, the book thus opens up possibilities for a new theory of dramatic form, one that begins not with the plot itself but with the stage entrance that structures how characters appear and thus determines how the plot advances. By reflecting on acts of entering, this book addresses not only scholars of literature, theater, media, and art but anyone concerned with what it means to appear and be present.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 7 _aLITERARY CRITICISM / General.
_2bisacsh
653 _aTragedy.
653 _aentrance.
653 _afigure and ground.
653 _aspace of appearance.
700 1 _aTaylor, Michael Thomas
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110754490
856 4 0 _uhttps://www.degruyter.com/isbn/9783110754490
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110754490/original
942 _cEB
999 _c243129
_d243129