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| 008 | 230502t20222022gw fo d z eng d | ||
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_a9783110767063 _qprint  | 
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_a9783110767162 _qPDF  | 
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| 024 | 7 | 
_a10.1515/9783110767162 _2doi  | 
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| 035 | _a(DE-B1597)9783110767162 | ||
| 035 | _a(DE-B1597)600317 | ||
| 035 | _a(OCoLC)1334104345 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
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| 072 | 7 | 
_aART015100 _2bisacsh  | 
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | 
_aEnergetic Bodies : _bSciences and Aesthetics of Strength and Strain / _ced. by Thomas Moser, Wilma Scheschonk.  | 
| 264 | 1 | 
_aBerlin ; _aBoston : _bDe Gruyter, _c[2022]  | 
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| 264 | 4 | _c©2022 | |
| 300 | _a1 online resource (196 p.) | ||
| 336 | 
_atext _btxt _2rdacontent  | 
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| 337 | 
_acomputer _bc _2rdamedia  | 
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| 338 | 
_aonline resource _bcr _2rdacarrier  | 
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| 347 | 
_atext file _bPDF _2rda  | 
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| 490 | 0 | 
_aImaginarien der Kraft , _x2698-7899 ; _v3  | 
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| 505 | 0 | 0 | 
_tFrontmatter --  _tContent -- _tAcknowledgements -- _tSex, Drugs and Bicycles. Alfred Jarry’s “Le surmâle” and the Aesthetics of Energy-Enhancing Strength -- _tForce of Gravity/Power of Labour—or: Heaving Stones -- _tBodies, Suspended. Eadweard Muybridge and the Allure of “Unsupported Transit” -- _tEmbodied Experiences of Force. Carabin’s Anthropomorphic Fauteuils and the “Muscular Sense” in late 19th Century Medicine -- _tVisualising the Muscular Force. Charcot’s and Féré’s Approaches to Exploring the Neurophysiology of Movement in Hysteria Patients -- _tThe Feeling of Forces. Robert Mayer’s and Friedrich Nietzsche’s Physics and Metaphysics of the Body -- _tMovement, Muscle, Matter. Jef Lambeaux’s Wrestling Groups of the 1880s and 1890s -- _tA Fix of Energy. Joseph Beuys Boxing -- _tBody Sculpting. Paradessent Strategies in Contemporary Art -- _tSweat, Strain and Surplus in Mika Rottenberg’s “Tropical Breeze” -- _tAuthors -- _tCredits  | 
| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
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| 520 | _aIm Fin de Siècle war "Energie" bis weit über die Grenzen der Wissenschaften hinaus das Schlagwort, über das die Gestaltungssouveränität der westlichen Moderne ebenso wie deren Grenzen ausgehandelt wurden. Der menschliche Körper stand im Zentrum der Sichtbarmachung dieses rätselhaften Antriebs aller Bewegung in arbeitsökonomischen Diskursen, Körperkultur, Sport, Kunst und Literatur. Durch ihn galt es dieses alles durchdringende und bedingende physikalische Erhaltungsprinzips ebenso wie dessen Wahrnehmungsqualitäten erfahrbar zu machen. Diesen "Energetic Bodies" widmet sich der vorliegende Band. Den transdisziplinären Beiträgen gelingt es, Körperszenarien der Kraft und Energie in einem geschichtlichen Verlauf von 1800 über die Hochphase um 1900 bis heute nachzuvollziehen. | ||
| 520 | _aThroughout the fin de siècle, "energy" was a buzzword that was used far beyond the boundaries of the sciences to negotiate the formative scope as well as limits of Western modernity. The human body was positioned at the center of the visualization of this enigmatic drive of all movement in discourses on labor and economics, physical culture, sport, art, and literature. It was through the body that this all-pervading and conditioning physical principle as well as its perceptual qualities were to be made tangible. This volume is dedicated to these "energetic bodies." The transdisciplinary individual contributions trace body scenarios of force and energy over the course of history from 1800 to the peak phase around 1900 and up to the present. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mai 2023) | |
| 650 | 4 | _aEnergie. | |
| 650 | 4 | _aJahrhundertwende. | |
| 650 | 4 | _aKraft. | |
| 650 | 4 | _aKunst / 19. Jahrhundert. | |
| 650 | 4 | _aKunsttheorie. | |
| 650 | 4 | _aNaturwissenschaft. | |
| 650 | 4 | _aPsychophysiologie. | |
| 650 | 7 | 
_aART / History / Modern (late 19th Century to 1945). _2bisacsh  | 
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| 653 | _astrength, energy, arts and sciences 19th century, turn of the century, art theory, psycho-physiology. | ||
| 700 | 1 | 
_aAshkin Stanton, Miriam _eautore  | 
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| 700 | 1 | 
_aDekeukeleire, Thijs _eautore  | 
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| 700 | 1 | 
_aDezeuze, Anna _eautore  | 
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| 700 | 1 | 
_aLehmann, Johannes F. _eautore  | 
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| 700 | 1 | 
_aMersmann, Jasmin _eautore  | 
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| 700 | 1 | 
_aMoser, Thomas _eautore _ecuratore  | 
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| 700 | 1 | 
_aMuhr, Paula _eautore  | 
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| 700 | 1 | 
_aRenner, Adrian _eautore  | 
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| 700 | 1 | 
_aScheschonk, Wilma _eautore _ecuratore  | 
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110767162 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110767162 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110767162/original  | 
| 942 | _cEB | ||
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_c243285 _d243285  | 
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