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| 035 | _a(DE-B1597)613009 | ||
| 035 | _a(OCoLC)1347246484 | ||
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_a700 _223/eng/20230531 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aSymbolism : _bAn International Annual of Critical Aesthetics / _ced. by Florian Klaeger, Klaus Stierstorfer, Marlena Tronicke. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter, _c[2022] |
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| 264 | 4 | _c©2022 | |
| 300 | _a1 online resource (VIII, 281 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_aSymbolism : An International Annual of Critical Aesthetics , _x1528-3623 ; _v22 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tForeword from the Editors -- _tContents -- _tSpecial Focus: Omission -- _tIntroduction: Omission -- _t“[B]y the Knowledge of the Great Saint Paraleipomenon—”: Si(g)ns of Omission in Laurence Sterne -- _tWhen Words Stop: Omission in Songs -- _tOmissions, Blanks, and Silences: Reading Shakespeare’s Sonnet 126 -- _tBlackness as Disability: Compulsory Whiteness, Able-Bodiedness, and Masculinity in Frances E. W. Harper’s Iola Leroy -- _tGirls’ Aesthetics in Japan: Absence of Female Material Bodies -- _tMeliur as a Figure of Omission in Konrad von Würzburg’s Partonopier und Meliur -- _tRepression and Omission in Kazuo Ishiguro’s A Pale View of Hills -- _tDon’t Mention the Guns: Omission by Substitution in Simon Armitage’s Killing Time -- _tOmission and the Poetics of the EC Comics Twist: An Analysis of “Last Respects” (1951) and “Master Race” (1955) -- _tThe Omissions of Intermediality: Pop Music and Jennifer Egan’s A Visit from the Goon Squad -- _tAliens in the Void: Writing Beyond the Limits of Language in bpNichol’s The Martyrology (and (Luigi Serafini’s ((Code)x Seriphian(us)))) -- _tThe Mystery of the Missing Mystery: Midcentury Intellectuals on Modernism and Detective Fiction -- _tGeneral Section -- _tNature and I: The Human/Nature Relationship in Surrealist and Proto-Surrealist Poetry -- _tThe Symbolism of the String Quartet in Thomas Mann’s Doctor Faustus -- _tContributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aSpecial Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient’s mind. The term ‘omission’ as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient’s generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character’s voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient’s generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aSymbolism (Art movement). | |
| 650 | 4 | _aAbwesenheit. | |
| 650 | 4 | _aEllipse. | |
| 650 | 4 | _aLücke. | |
| 650 | 4 | _aPoetik. | |
| 650 | 4 | _aÄsthetik. | |
| 650 | 7 |
_aLITERARY CRITICISM / European / General. _2bisacsh |
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| 653 | _aGap. | ||
| 653 | _aabsence. | ||
| 653 | _aaesthetics. | ||
| 653 | _apoetics. | ||
| 700 | 1 |
_aAnan, Nobuko _eautore |
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| 700 | 1 |
_aAnderson, Tiffany M. B. _eautore |
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| 700 | 1 |
_aBetts, Gregory _eautore |
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| 700 | 1 |
_aCharlwood, Catherine _eautore |
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| 700 | 1 |
_aEcke, Jochen _eautore |
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| 700 | 1 |
_aEckert, Kenneth _eautore |
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| 700 | 1 |
_aFabb, Nigel _eautore |
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| 700 | 1 |
_aGill, Patrick _eautore |
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| 700 | 1 |
_aGolovchenko, Margaryta _eautore |
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| 700 | 1 |
_aHenriksen, Anni Haahr _eautore |
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| 700 | 1 |
_aKlaeger, Florian _ecuratore |
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| 700 | 1 |
_aMagome, Kiyoko _eautore |
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| 700 | 1 |
_aNewbould, M-C. _eautore |
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| 700 | 1 |
_aRedding, Art _eautore |
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| 700 | 1 |
_aSchinko, Carsten _eautore |
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| 700 | 1 |
_aStierstorfer, Klaus _ecuratore |
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| 700 | 1 |
_aStrachan, Aysha _eautore |
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| 700 | 1 |
_aTronicke, Marlena _ecuratore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110775884 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110775884 |
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_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110775884/original |
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