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_aSemiotics Unfolding : _bProceedings of the Second Congress of the International Association for Semiotic Studies Vienna, July 1979 / _ced. by Tasso Borbé. |
| 250 | _aReprint 2015 | ||
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter Mouton, _c[2015] |
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| 264 | 4 | _c©1984 | |
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_a1 online resource (1846 p.) : _bZahlr. Abb. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 |
_aApproaches to Semiotics [AS] , _x0066-5576 ; _v68 |
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_tFrontmatter -- _tGeneral Preface -- _tSemiotics Unfolding -- _tContents -- _tVolume I. -- _tPart 1. Theory and History of Semiotics -- _tZur Semiotik des Topos -- _tFreud and the Trope of Enigma -- _tDer heuristische Aspekt der Semiotik -- _tThe Semiotics of Description: A Program -- _tA Phenomenological View of Signs - Analytically Reconstructed -- _tThe Degenerate Sign -- _tEntstehen und Vergehen von Codes -- _tA Semiotically Relevant History of Semiotics -- _tSemiotische Probleme von Spontanphänomenen -- _tProposals for a History of Semiotics -- _tFresh Light on Peirce's Theory of Signs from his Writings on Mathematics and the History of Science -- _tDer Wiener Kreis -- _tQuelques notes pour une sémiologie explicative (Proposition d'une Methode) -- _tRoutes of Reference -- _tThe Semiotic Essence of Identity and Dasein -- _tThe Semiotic Relevance of Bühlens Sprachtheorie -- _tPeirce's Ethics of Terminology -- _tNeuer Versuch zur transzendentalen Pragmatik -- _tFormal Semiotics vs. Theoretical Semiotics -- _tSur un projèt d'histoire de la sémiotique -- _tFormalisation et extension de la sémiotique de C. S. Peirce -- _tClustering (and switching) of Codes -- _tSign Fuzzy Processes and the Value Continuum -- _tZeichenverwendung. Philosophische Fragen an die Semiotik -- _tPeirce's Concept of Sign and Modern Semantics -- _tPrinciples of Motivation -- _tFormal Fuzzy Semiotics and Cognitive Processes -- _tThe Implications of the Sigmatic Aspect of the Artitistic Sign for a Theory of Pragmatics -- _tThe Significance of the Ethics of Terminology for Contemporary Lexicography in Semiotics -- _tPour une sémiotique du discours passionnel -- _tOn the Concept of Formal Semiotics -- _tLa proto-esthétique de Charles Peirce -- _tSemiotic Circles in Germany: From the Logic of Science to the Pragmatics of Institutions -- _tSur l'histoire de la sémiotique -- _tWittgenstein: Old and New -- _tSemiotik: Ideologiekritik auf dem Wege einer Metatheorie -- _tOn the History of Semiotics -- _tKarl Bühler -- _tPeirce, Pragmatics and Pyramids: A Preliminary Exploration -- _tElements pour une théorie général des formes -- _tSignes naturels formes du vivant et relateurs arithmétiques -- _tCooperation and Semiosis -- _tOn the History of Semiotics -- _tDie Relevanz der Bedeutungsbegriffe von Victoria Welby und Charles S. Peirce für die heutige Semiotik -- _tA Communication Oriented Understanding of ‘Sign’ -- _tGestalt Semantics on the Basis of Catastrophe Theory -- _tPart 2. Semiotics and Social Interaction -- _tSocial Structures and Semiotic Systems: Theory, Methodology, some Applications and Conclusions -- _tLa double Synchronie du mythe et sa fonction -- _tUne danse sacrée balinaise entre deux référents culturels -- _tA Syntactic Approach to the Analysis of Nonverbal Behaviour -- _tSémiotique des relations internationales -- _tStructural and Pragmatic Properties of Grooming and Garment Grammars -- _tRemarques pour une pragmatique du discours politique -- _tSituation und Handeln -- _tLiterature, Ideologie and Society: Systems and Mediating Systems -- _tLe discours du pouvoir -- _tZu einer Semiotik der Biokommunikation -- _tMore Effective Than Words: The Role of Non-Verbal Communication in Billy Budd -- _tSemiotics of Sex -- _tToward the Semiotics of Sport -- _tGeheime institutionelle Zeichenprozesse -- _tVers une théorie sémiologique du privilège culturel -- _tSemiotics ofBraj Culture Based on Sajhi -- _tAspects sémiotiques du vandalisme et de l'iconoclasme -- _tSemiotisches Artikulieren und Notieren von Situation -- _tRhythmicity and Iconicity in Signed Discourse -- _tEssai de formalisation des tensions dialectiques: Culture, société, systèmes sémiotiques -- _tBiologie et processus sémiotiques -- _tThe Unfolding of the Process of Signs: Disco-Clubs -- _tConstruction of Reality in Death Camps: Groundwork for a Phenomenology of Signs -- _tSymbolism of Dreams in Svapnacintāmani -- _tProject Semiotics and the Schools -- _tSemiotics from a Sociological Point of View -- _tFrequenz-Dauer-Verteilungen des Sprech- und Blickverhaltens im Verlauf einer depressiven Erkrankung -- _tIdeology and Complexity -- _tEsquisse d'une archéologie de la recherche en communication non-verbale -- _tProblèmes d'interférences de Systèmes sémiotiques -- _tPart 3. Semiotics in Text and Literature -- _tSymbols in Kemala's Poems: A Study of Signs in Mystical Poems -- _tFor a Semiotics Between Stimulation of Behaviour and Experimental Semiotics -- _tA Semiotic Critique of the Notion of Female Imagination in Literature -- _tFrame Semantics and Text Analysis -- _tLa machine molle de W S. Burroughs. Etude sémiotique, assistée par ordinateurs, des structures narratives du roman -- _tMögliche Welten unter literaturgeschichtlichem Aspekt -- _tModern Literary Imitations and Semiotics of Culture -- _tMachine Man -- _tThe Text Drive -- _tPossible World Theory and Literary Interpretation -- _tCharles VIII à Rouen: L'image, le mot et le sens -- _tThe System of Metaphors Semiotically Considered -- _tL'ombre et le reflet: La double symétrie dans l'organisation du texte -- _tFonction narrative et champ positionnel de la narrativité -- _tLa ponctuation expressive -- _tLe texte littéraire, structure, valeur et fonction -- _tZolkovskij's Generative Poetics and Peirce's Sign Theory -- _tTerminological Remarks on the Concept of Code in Literary Communication -- _tZur Struktur der Autoreflexion künstlerischer Texte -- _tZur Semiotik literarischer Naturbeschreibungen -- _tOne Page of a Journal: A Semiotic Analysis -- _tRemarques sémiotiques à propos de l'argumentation sur le sens d'un texte -- _tReference in Fictional Texts -- _tJapanese Writing Systems and Their Impact on Literary Expression -- _tSemiotik der Literatur -- _tSemiotic Components and Semiotic Categories (Based upon the Seventeenth-Century Russian Text Shemiakcá Judgement) -- _tThe Unity of Phenomenological Criticism: M. Proust and Cl. Simon -- _tGerard Manley Hopkins - Roman Jakobson - Jurij Lotman: Zur Entwicklung der semiotischen Ästhetik -- _tTypes de cohésion du texte narratif -- _tPoetry and Entropy -- _tCorrelation of Rhythmic Structures in Poetry -- _tSilence et langage poétique -- _tPoesie et graphie -- _tFrom Narrative Analysis to Semiotic Theory: Syntagmatic and Paradigmatic -- _tLe processus d'iconicité dans le texte artistique -- _tTowards a Triadic Theory of Narrative -- _tAdvertising and Ideology: A Semiotic Approach -- _tUse of the Semiotic Square in Analyzing the Theatrical Works of Henri de Montherlant -- _tVarieties of Repetitive Narration: Faulkner's Absalom, Absalom! -- _tAnalyse d'un code: Les titres d'un hebdomadaire espagnol -- _tThe Compositional Principles of Sensory Properties in Literary Texts -- _tAnalyse textuelle et analyse sémiotique -- _tPour une sémiotique des Mass Media -- _tTransfer Operations and Translation -- _tSemiotische Probleme der Konstitution von Fiktionalität gesprochener und verschriftlichter Texte -- _tVolume II -- _tPart 4. Linguistics and Semiotics -- _tLinguistic Saturation and Linguistic Failure: A Functional View of Language Acquisition -- _tSemiotics as a Process: Mead's Theory -- _tSemiology and the Praxis of 'Christ' -- _tQuelques aspects du signe linguistique -- _tSome Remarks on Grammar and Ideology (Chomsky and Montague) 1083 -- _tPragmatic Stylistics. |
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_tConversational Postulates as Means to a Method for Interpretative Stylistics -- _tIntegration and Involvement in Spoken and Written Language -- _tThe Impact of Writing on Language -- _tLa signifiance, fonction actionnelle du langage -- _tTowards Psycho-Pragmatics -- _tOn the Problem of the Semiotic Completeness of Natural Languages -- _tWords for 'God' as Linguistic Signs: The Origin and Decay of the Code of Sacredness -- _tOn a Basic Nature of Signs -- _tThe Utilitarian Icon in the Advertising Message: An Analysis of the Oral Advertising Message, Taking as Invariable Determinant the Football Event: World Cup-Argentina 1978 -- _tLe signe et la mystique -- _tSozialer Wandel und Sprachwandel -- _tLe rôle du composant encyclopédique en linguistique -- _tKausalität und Referenz: Eine linguistische Analyse -- _tFrames of Advertisements -- _tPhilological Semiotics and Cognitive Psychology -- _tIndexical Expressions and the Enunciation of Natural Language -- _tRuptures langagières et 'Faille Sémiotique' -- _tSilence and Stillness as Sign Processes -- _tSémiotique de la langue et de la métalangue -- _tLe Co de la connaissance -- _tZur Konfrontation im Gebiet der Semantik -- _tDas semantische Gitter -- _tThe Relevance of Research into the Sound Shape of Language for Semiotic Studies -- _tThe Dialectic Level of Pragmatics -- _tVolume III -- _tPart 5. Semiotics in Architecture and Fine Arts -- _tSyntaxe, sémantique et pragmatique en peinture: Un exercice de méthode sur le printemps de Botticelli -- _tAniconicité et axiolographie -- _tBemerkungen zur Funktion des Spiegels in der Kunst -- _tLa flèche, ou le signe qui blesse -- _tÜberlegungen zum Interpretanten des ästhetischen Zeichens in der Architektur -- _tArchitecture as Text -- _tThe Cognitive Aspects of Style Change -- _tSymbole et signe dans l'art -- _tIconism of Built Architecture and Codes' Variability. A Case Study: The Procuratie Vecchie of Piazza S. Marco, Venice -- _tThe Network of Architectonic Signs -- _tLa double origine du signe pictural -- _tCode / System: Some Hypotheses for Architecture -- _tZur Vorgeschichte der Kunstsemantik in der tschechischen Ästhetik (Otakar Zieh, 1879-1934) -- _tDas Problem der sog. Kunst des Altertums. Eine semiotische Betrachtung -- _tDie Farbe in der Malerei. Symbolischer und semi-symbolischer Bedeutungsmodus -- _tSignes et symptômes de la narration dans le langage des images -- _tArchitektur und Politik - am Beispiel Situationsbezug -- _tSemiotic Transformations in Architecture -- _tVolume III -- _tPart 6. Semiotics and Visual Communication -- _tSome Semantic Effects of Lines, Shapes and Colors -- _tUnité du système des oppositions entre le système verbal et le système visuel -- _tRealism and some Semiotic Functions of Photographies -- _tDie Zuordnung von Mann und Frau zu einfachen geometrischen Formen im interkulturellen Bereich -- _tDie Bildung visueller Zeichen für verbale Begriffe bei Kindern von 4 bis 14 Jahren -- _tPrehistory of Graphic Notation Systems -- _tWeitere Untersuchungen zur Mehrdimensionalität visueller Zeichen -- _tSémiotique du nombre: Du signifiant à la communication -- _tFlächencharakterisierende Texturen -- _tVisual Rhetoric in a Pictographic-Ideographic Narrative -- _tSemiotics and Graphic Design Education -- _tLe procès déverbal en sémiologie -- _tRemarques sur la représentation cartographique de données linguistiques -- _tMode, Modality, and Icon Evolution -- _tFunctions of Semiotic Structures on Foils in Research Project Presentations -- _tPart 7. Semiotics in Theatre, Music and Film -- _tRegel und Code in der Filmsemiotik -- _tDictum, modus et tempus dans les audio-visuels -- _tLes fonctions de la communication cinématographique -- _tDécoupage et formalisation du signe cinétique -- _tEtude générative et textuelle du champ-contrechamp -- _tMusical Forms as Models of Communication -- _tLa construction de dispositifs dans le théâtre postmoderne: quelques considérations autour du théâtre de Robert Wilson -- _tNegation, Castration, Feminization: Metaphor and Metonymy in the Blue Angel -- _tSemiotic Analysis on Theater: A Brazilian Example -- _tFunction-Reversal of similar Subsystems in different Auditory-temporal Systems of Communication: The Roles of Pitch and Timbre in Music and Language -- _tThéâtre et pragmatique -- _tA propos de l'organisation multimedia lors d'un changement de locuteur -- _tLa communication aux frontières de la sémiotique -- _tInformation Transfer in Transmedial and Multimedial Art -- _tProcessus psychologiques de décodage de la structure musicale -- _tJeu scénique comme système de signes codifiés et codés (XVIe-XXe siècle) -- _tA Proper Name in Poetry and Music -- _tComparing Narrative Structures: The Plot of Jane Austen's Emma adapted as Television Serial -- _tInterpretivity -- _tA propos de Schoenberg: Les problèmes de la construction du modèle poétique en sémiologie musicale -- _tProblèmes de pertinence en sémiologie du cinéma -- _tVienna's Popular Musical Stage as a Semiotic Institution -- _tForschungsbericht über den theatersemiotischen Aspekt des Forschungsvorhabens ,Theater im Labor4 am Institut für Theaterwissenschaft, Universität München -- _tLe discours de la critique dramatique -- _tMétanalyse du texte théâtral -- _tErzählen in Sprache und Musik -- _tNaming and its Function in Samuel Beckett's Watt -- _tTowards a Structural Semantics of Music: Reflections on the Logic of Musical Discourse -- _t'Othello': Aspects of Semiotic Codification in the Elizabethan Theatre -- _tDas Verhältnis verbaler und nonverbaler Kommunikation im Hörfunk -- _tThe Code-Switching Functions of Codes in Pushkin's The Stone Guest -- _tIndex of Names -- _tContents |
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_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023) | |
| 650 | 0 | _aLiteratursemiotik. | |
| 650 | 0 |
_aSemiotics _vCongresses. |
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| 650 | 0 | _aSprache. | |
| 650 | 0 | _aTextsemiotik. | |
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|
| 700 | 1 |
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|
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|
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|
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|
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|
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|
| 700 | 1 |
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|
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|
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|
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|
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|
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|
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|
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|
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|
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|
| 700 | 1 |
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|
| 700 | 1 |
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|
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| 700 | 1 |
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| 700 | 1 |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783110869897 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783110869897 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783110869897/original |
| 942 | _cEB | ||
| 999 |
_c247922 _d247922 |
||