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020 _a9783110172263
_qprint
020 _a9783110899870
_qPDF
024 7 _a10.1515/9783110899870
_2doi
035 _a(DE-B1597)9783110899870
035 _a(DE-B1597)56111
035 _a(OCoLC)979764771
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aML3845 ǂb T348 2002eb
072 7 _aLAN009000
_2bisacsh
082 0 4 _a780/.1/4
084 _aonline - DeGruyter
100 1 _aTarasti, Eero
_eautore
245 1 0 _aSigns of Music :
_bA Guide to Musical Semiotics /
_cEero Tarasti.
250 _aReprint 2012
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter Mouton,
_c[2012]
264 4 _c©2002
300 _a1 online resource (224 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aApproaches to Applied Semiotics [AAS] ,
_x1612-6769 ;
_v3
505 0 0 _tFrontmatter --
_tForeword --
_tContents --
_tPart one: Music as sign --
_tChapter 1. Is music sign? --
_tChapter 2. Signs in music history, history of music semiotics --
_tChapter 3. Signs as acts and events: On musical situations --
_tPart two: Gender, biology, and transcendence --
_tChapter 4. Metaphors of nature and organicism in music: A “biosemiotic” approach --
_tChapter 5. The emancipation of the sign: On corporeal and gestural meanings in music --
_tChapter 6. Body and transcendence in Chopin --
_tPart three: Social and musical practices --
_tChapter 7. Voice and identity --
_tChapter 8. On the semiosis of musical improvisation: From Mastersingers to Bororo indians --
_tNotes --
_tReferences --
_tName index
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aMusic is said to be the most autonomous and least representative of all the arts. However, it reflects in many ways the realities around it and influences its social and cultural environments. Music is as much biology, gender, gesture - something intertextual, even transcendental. Musical signs can be studied throughout their history as well as musical semiotics with its own background. Composers from Chopin to Sibelius and authors from Nietzsche to Greimas and Barthes illustrate the avenues of this new discipline within semiotics and musicology.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650 0 _aMusic
_xPhilosophy and aesthetics.
650 0 _aMusic
_xSemiotics.
650 0 _aSymbolism in music.
650 4 _aMusikalische Semiotik.
650 7 _aLANGUAGE ARTS & DISCIPLINES / Linguistics / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783110899870
856 4 0 _uhttps://www.degruyter.com/isbn/9783110899870
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783110899870/original
942 _cEB
999 _c249794
_d249794