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| 001 | 287342 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106152430.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 241019t20152015gw fo d z eng d | ||
| 020 | 
_a9783837629736 _qprint  | 
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| 020 | 
_a9783839429730 _qPDF  | 
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| 024 | 7 | 
_a10.1515/9783839429730 _2doi  | 
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| 035 | _a(DE-B1597)9783839429730 | ||
| 035 | _a(DE-B1597)452964 | ||
| 035 | _a(OCoLC)922967708 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
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| 050 | 4 | 
_aPN1998.3.K598 _b.F677 2015  | 
|
| 072 | 7 | 
_aSOC052000 _2bisacsh  | 
|
| 082 | 0 | 4 | _a791.43023309 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | 
_aForrest, Tara _eautore  | 
|
| 245 | 1 | 0 | 
_aRealism as Protest : _bKluge, Schlingensief, Haneke / _cTara Forrest.  | 
| 250 | _a1. Aufl. | ||
| 264 | 1 | 
_aBielefeld : _btranscript Verlag, _c[2015]  | 
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| 264 | 4 | _c2015 | |
| 300 | _a1 online resource (186 p.) | ||
| 336 | 
_atext _btxt _2rdacontent  | 
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| 337 | 
_acomputer _bc _2rdamedia  | 
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| 338 | 
_aonline resource _bcr _2rdacarrier  | 
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| 347 | 
_atext file _bPDF _2rda  | 
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| 490 | 0 | _aFilm | |
| 505 | 0 | 0 | 
_tFrontmatter -- _tContent -- _tIntroduction -- _tCHAPTER 1. Subjunctive Realism: Kluge on Film, Politics, and Feelings -- _tCHAPTER 2. Creative Co-Productions: Kluge’s Television Experiments -- _tCHAPTER 3. Mobilising the Public Sphere: Schlingensief’s Reality Theatre -- _tCHAPTER 4. Productive Discord: Schlingensief, Adorno, and Freakstars 3000 -- _tCHAPTER 5. From Information to Experience: Schlingensief’s Quiz 3000 -- _tCHAPTER 6. A Negative Utopia: Haneke’s Fragmentary Cinema -- _tReferences  | 
| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
|
| 520 | _aRealism as Protest draws on the »realistic method« developed by Alexander Kluge to counter the limited image of reality generated by the mainstream media. Focusing on innovative productions produced by Kluge, Schlingensief and Haneke, this groundbreaking study explores how the experimental form of their work in film, television and theatre facilitates thinking, discussion and debate about the possibilities for cultural and political change. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024) | |
| 650 | 0 | 
_aMass media _xPolitical aspects.  | 
|
| 650 | 0 | 
_aMass media _xSocial aspects.  | 
|
| 650 | 0 | 
_aMotion pictures _zGermany.  | 
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| 650 | 0 | _aRealism in motion pictures. | |
| 650 | 0 | _aRealism on television. | |
| 650 | 0 | 
_aTheater _xPolitical aspects.  | 
|
| 650 | 4 | _aMedia Aesthetics. | |
| 650 | 4 | _aMedia Studies. | |
| 650 | 4 | _aMedia. | |
| 650 | 4 | _aPolitics. | |
| 650 | 4 | _aRealism. | |
| 650 | 4 | _aTelevision. | |
| 650 | 4 | _aTheatre Studies. | |
| 650 | 4 | _aTheatre. | |
| 650 | 7 | 
_aSOCIAL SCIENCE / Media Studies. _2bisacsh  | 
|
| 653 | _aMedia Aesthetics. | ||
| 653 | _aMedia Studies. | ||
| 653 | _aMedia. | ||
| 653 | _aPolitics. | ||
| 653 | _aRealism. | ||
| 653 | _aTelevision. | ||
| 653 | _aTheatre Studies. | ||
| 653 | _aTheatre. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783839429730?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783839429730 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783839429730/original  | 
| 942 | _cEB | ||
| 999 | 
_c287342 _d287342  | 
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