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001 288112
003 IT-RoAPU
005 20250106152504.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 240826t20182018gw fo d z eng d
010 _a2018393589
020 _a9783839439753
_qPDF
024 7 _a10.1515/9783839439753
_2doi
035 _a(DE-B1597)9783839439753
035 _a(DE-B1597)492850
035 _a(OCoLC)1031966721
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aTR660
_b.N678 2018
072 7 _aART015000
_2bisacsh
084 _aonline - DeGruyter
245 0 0 _aNorthern Light :
_bLandscape, Photography and Evocations of the North /
_ced. by Darcy White, Chris Goldie.
264 1 _aBielefeld :
_btranscript Verlag,
_c[2018]
264 4 _c2018
300 _a1 online resource (174 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aImage ;
_v120
505 0 0 _tFrontmatter --
_tContents --
_tPreface and acknowledgements --
_tIntroduction --
_tWalking and photographing Northern landscapes: a dialogical approach --
_tWanderings through the fog: Axel Hütte and the German landscape tradition re-imagined --
_t“At the limits of reliable information”: Finland’s Arctic borders with Sweden, Norway and Russia --
_tLandscape photography in the web of life: Olaf Otto Becker’s documentary sublime --
_t53 Degrees parallel north --
_tVaguely Northern: in between in England --
_tLandscape, documentary, and Northern England in the 1930s --
_tIllustrations --
_tBiographies of contributors
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThese essays confirm the continued relevance of 'north' as a site of cultural practice and artistic endeavour. If northern regions are tangible realities, the place of varied topography, light, climate, and biogeography, the location of distinct peoples and culture, typically they have been depicted through the traditions of northern landscape representation and the cultural narratives of an era. These discussions - focusing on Scotland, Northern England, Northern Europe, Siberia, the Arctic and Nordic lands - by photographic practitioners as well as theorists, explore and question this tradition, considering landscape as experience, reinterpreting notions of wilderness, emptiness and the sublime.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)
650 0 _aAesthetics.
650 0 _aGeographical perception
_vCongresses.
650 0 _aLandscape photography
_vCongresses.
650 0 _aLandscapes.
650 0 _aNorth (The concept)
_vCongresses.
650 4 _aAesthetics.
650 4 _aArt History.
650 4 _aArt.
650 4 _aFine Arts.
650 4 _aHuman Ecology.
650 4 _aLandscape.
650 4 _aNature.
650 4 _aNorth.
650 4 _aSublime.
650 7 _aART / History / General.
_2bisacsh
653 _aAesthetics.
653 _aArt History.
653 _aArt.
653 _aFine Arts.
653 _aHuman Ecology.
653 _aLandscape.
653 _aNature.
653 _aNorth.
653 _aSublime.
700 1 _aBrind, Susan
_eautore
700 1 _aGoldie, Chris
_eautore
_ecuratore
700 1 _aHarold, Jim
_eautore
700 1 _aHarvey, Aileen
_eautore
700 1 _aLee, Joanne
_eautore
700 1 _aMaclaren, Fiona
_eautore
700 1 _aPeck, Julia
_eautore
700 1 _aWhite, Darcy
_eautore
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9783839439753?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9783839439753
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9783839439753/original
942 _cEB
999 _c288112
_d288112