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| 001 | 288278 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106152511.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240826t20182018gw fo d z eng d | ||
| 020 | _a9783839442012 _qPDF | ||
| 024 | 7 | _a10.1515/9783839442012 _2doi | |
| 035 | _a(DE-B1597)9783839442012 | ||
| 035 | _a(DE-B1597)492842 | ||
| 035 | _a(OCoLC)1046613556 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 4 | _aNC225 _b.F569 2018eb | |
| 072 | 7 | _aDES008000 _2bisacsh | |
| 082 | 0 | 4 | _a740 _223 | 
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | _aFlow of Forms / Forms of Flow : _bDesign Histories between Africa and Europe / _ced. by Alexandra Weigand, Kerstin Pinther. | 
| 264 | 1 | _aBielefeld : _btranscript Verlag, _c[2018] | |
| 264 | 4 | _c2018 | |
| 300 | _a1 online resource (208 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aDesign ; _v37 | |
| 505 | 0 | 0 | _tFrontmatter -- _tContent -- _tFlow of Forms / Forms of Flow. Design Histories between Africa and Europe -- _tForms of Modernity -- _tTransform(n)ation -- _tForms of Cooperation / Participation -- _tMaterial Morphosis -- _tSpeculative Forms -- _tLadi Kwali, Michael Cardew and a Tangled Story of African Studio Pottery -- _tDesign, Development and its Legacies: A Perspective on 1970s Design Culture and its Anthropological Intents -- _tBetween Favela Chic and Autonomy. Design in Latin America -- _tThe Politics of Design in Postcolonial Kenya -- _tOn the Flows of Architectural Design: The Context and Making of an Exhibition -- _tJules Wokam’s Aesthetics of Permeability -- _tTracing the Quiet Cultural Activism: Laduma Ngxokolo and Black Coffee -- _tCheick Diallo: Design between Politics and Poetics -- _tDesigners’ and Artists’ Biographies -- _tAuthors’ Biographies | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aAs a teenager, I spent my time wondering why in sci-fi movies, every landscape, every object I could see was Western or Asian based. I've finally understood that somewhere our legacy had been locked in the past, that we couldn't be "futuristic" in the eyes of our fellow Europeans. We have to look behind our shoulders, get back to our traditions, seize the best of them and shape a future with it. This without forgetting we are part of the world, totally, unquestionably. The future is for me not only a matter of dialogue with the past, but and beyond everything a dialogue with the rest of the planet.Kossi AguessyHow is it possible to adequately capture histories of design in Africa, a continent with fifty-four countries? How can one avoid producing just another essentialising master narrative of "African Design"? How can one make sense of the many entangled yet often asymmetric and sometimes ambivalent histories of form-finding processes between Africa and Europe? In keeping with the premises of a global art and design history approach, the book offers a change of perspective: focusing on the mobility of people, objects and ideas - on flows between Africa and Europe as well as on a South-South axis - allows for multiple yet necessarily fragmented design histories to be identified and recognised. The contributors trace multi-faceted design case studies from a historical perspective, with attention to the present as well as towards possible futures. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 | _aDesign _zAfrica _xHistory _vExhibitions. | |
| 650 | 0 | _aDesign _zAfrica _xInfluence _vExhibitions. | |
| 650 | 0 | _aDesign _zEurope _xHistory _vExhibitions. | |
| 650 | 0 | _aDesign _zEurope _xInfluence _vExhibitions. | |
| 650 | 4 | _aAfrican Art. | |
| 650 | 4 | _aAfrican Studies. | |
| 650 | 4 | _aArchitecture. | |
| 650 | 4 | _aArt History of the 20th Century. | |
| 650 | 4 | _aArt History. | |
| 650 | 4 | _aDesign History. | |
| 650 | 4 | _aEurope. | |
| 650 | 4 | _aEuropean Art. | |
| 650 | 4 | _aExhibition. | |
| 650 | 7 | _aDESIGN / History & Criticism. _2bisacsh | |
| 653 | _aAfrican Art. | ||
| 653 | _aAfrican Studies. | ||
| 653 | _aArchitecture. | ||
| 653 | _aArt History of the 20th Century. | ||
| 653 | _aArt History. | ||
| 653 | _aDesign History. | ||
| 653 | _aEurope. | ||
| 653 | _aEuropean Art. | ||
| 653 | _aExhibition. | ||
| 700 | 1 | _aBonsiepe, Gui _eautore | |
| 700 | 1 | _aClarke, Alison J. _eautore | |
| 700 | 1 | _aGreef, Erica de _eautore | |
| 700 | 1 | _aHanussek, Christian _eautore | |
| 700 | 1 | _aMagaziner, Daniel _eautore | |
| 700 | 1 | _aPinther, Kerstin _eautore _ecuratore | |
| 700 | 1 | _aVogel, Susan Mullin _eautore | |
| 700 | 1 | _aWeigand, Alexandra _eautore _ecuratore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783839442012?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783839442012 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783839442012/original | 
| 942 | _cEB | ||
| 999 | _c288278 _d288278 | ||