| 000 | 03890nam a22007455i 4500 | ||
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| 001 | 288312 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106152513.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240826t20192019gw fo d z eng d | ||
| 020 |
_a9783839442562 _qPDF |
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| 024 | 7 |
_a10.1515/9783839442562 _2doi |
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| 035 | _a(DE-B1597)9783839442562 | ||
| 035 | _a(DE-B1597)496053 | ||
| 035 | _a(OCoLC)1083593809 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aMUS020000 _2bisacsh |
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| 082 | 0 | 4 |
_a786.7 _qOCoLC _223/eng/20230216 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMenrath, Stefanie Kiwi _eautore |
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| 245 | 1 | 0 |
_aAnonymity Performance in Electronic Pop Music : _bA Performance Ethnography of Critical Practices / _cStefanie Kiwi Menrath. |
| 264 | 1 |
_aBielefeld : _btranscript Verlag, _c[2019] |
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| 264 | 4 | _c2019 | |
| 300 | _a1 online resource (232 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aStudien zur Popularmusik | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _t1. Laboratory Case I: Moodymann and the study of pop music persona construction -- _t2. Performance in music (studies) -- _t3. Laboratory Case II: Ursula Bogner and performance research -- _tConclusion: Towards a reconceptualisation of ethnographic practice as collaborative imagination -- _tAppendix |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aAnonymity practices in electronic music culture have long been the object of journalistic and academic discourse. Yet anonymity itself is ephemeral and ontologically precarious. How can scholars research anonymous entities without impairing their anonymity, and what can they learn from their precarity?This study describes two projects of anonymity performance as forms of critical practice (Judith Butler/Michel Foucault) involving performative play with anonymity through the use of fake identities or collaborative persona imaginations. Adopting a reflexive and performative writing style, this performance ethnography calls for a radical performative turn and an ontological reflexivity in the cultural studies of music. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 4 | _aAnonymity. | |
| 650 | 4 | _aCultural Studies. | |
| 650 | 4 | _aEthnography. | |
| 650 | 4 | _aMusic. | |
| 650 | 4 | _aMusicology. | |
| 650 | 4 | _aPerformance. | |
| 650 | 4 | _aPop Music. | |
| 650 | 4 | _aPopular Culture. | |
| 650 | 7 |
_0(DE-588)4014355-7 _0(DE-627)10634045X _0(DE-576)208907440 _aElektronische Musik _2gnd |
|
| 650 | 7 |
_0(DE-588)4016674-0 _0(DE-627)106332309 _0(DE-576)208916911 _aFeldforschung _2gnd |
|
| 650 | 7 |
_0(DE-588)4046781-8 _0(DE-627)106196960 _0(DE-576)209070846 _aPopmusik _2gnd |
|
| 650 | 7 |
_0(DE-588)4173750-7 _0(DE-627)105377503 _0(DE-576)209952407 _aPerformance _gKünste _2gnd |
|
| 650 | 7 |
_0(DE-588)4471050-1 _0(DE-627)234861959 _0(DE-576)212775715 _aAnonymität _2gnd |
|
| 650 | 7 |
_0(DE-588)7651115-7 _0(DE-627)593684117 _0(DE-576)304096148 _aPerformativität _gKulturwissenschaften _2gnd |
|
| 650 | 7 |
_aMUSIC / History & Criticism. _2bisacsh |
|
| 653 | _aAnonymity. | ||
| 653 | _aCultural Studies. | ||
| 653 | _aEthnography. | ||
| 653 | _aMusic. | ||
| 653 | _aMusicology. | ||
| 653 | _aPerformance. | ||
| 653 | _aPop Music. | ||
| 653 | _aPopular Culture. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783839442562?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783839442562 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783839442562/original |
| 942 | _cEB | ||
| 999 |
_c288312 _d288312 |
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