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| 001 | 288520 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106152521.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240826t20192019gw fo d z eng d | ||
| 010 | _a2019436494 | ||
| 020 |
_a9783839445730 _qPDF |
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| 024 | 7 |
_a10.1515/9783839445730 _2doi |
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| 035 | _a(DE-B1597)9783839445730 | ||
| 035 | _a(DE-B1597)535372 | ||
| 035 | _a(OCoLC)1121052443 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 0 | 0 |
_aML3800 _b.H747 2019 |
| 050 | 4 |
_aML457 _b.H683 2019 |
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| 072 | 7 |
_aMUS020000 _2bisacsh |
|
| 082 | 0 | 4 |
_a781.43 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHouben, Eva-Maria _eautore |
|
| 245 | 1 | 0 |
_aMusical Practice as a Form of Life : _bHow Making Music Can be Meaningful and Real / _cEva-Maria Houben. |
| 264 | 1 |
_aBielefeld : _btranscript Verlag, _c[2019] |
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| 264 | 4 | _c2019 | |
| 300 | _a1 online resource (240 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aMusik und Klangkultur ; _v32 |
|
| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tPreface -- _tFirst Part -- _t1. Access to the Topic -- _t2. Musical Practice -- _t3. Finding Speech -- _tSecond Part -- _t1. Keys -- _t2. Many Performers -- _t3. Solo -- _t4. Duo -- _t5. Trio -- _t6. Quartet -- _t7. Beyond Borders -- _t8. In the “Ark of the Moment” -- _tList of Works -- _tBibliography |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aHow is musical practice connected with everyday life? Eva-Maria Houben shows that performing music as an activity - indeed, as playing - is a meaningful shift from an approach based on structural analysis. Musical practice, Eva-Maria Houben contends, can be understood as open and never finished. Such an emphasis on repetition offers freedom from perfection, productivity, and purpose, thus allowing meaning to unfold in specific situations, places, and relationships. Musical practice can become a form of life and a reality in its own right. The study includes musical examples from the 17th, 18th, 19th, and 20th centuries as well as contemporary music. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 | _aExperience. | |
| 650 | 0 | _aLearning. | |
| 650 | 0 |
_aMusic _xInstruction and study. |
|
| 650 | 0 |
_aMusic _xPerformance _xPhilosophy and aesthetics. |
|
| 650 | 0 |
_aMusic _xPerformance. |
|
| 650 | 0 |
_aMusic _xPhilosophy and aesthetics. |
|
| 650 | 0 |
_aMusic _xSocial aspects. |
|
| 650 | 0 | _aMusic. | |
| 650 | 0 | _aMusical analysis. | |
| 650 | 0 | _aReality. | |
| 650 | 0 |
_aThought and thinking _xStudy and teaching. |
|
| 650 | 4 | _aCorporeality. | |
| 650 | 4 | _aCultural Studies. | |
| 650 | 4 | _aCulture. | |
| 650 | 4 | _aMetaphor. | |
| 650 | 4 | _aMusic Performance. | |
| 650 | 4 | _aMusic. | |
| 650 | 4 | _aMusical Analysis. | |
| 650 | 4 | _aMusicology. | |
| 650 | 7 |
_aMUSIC / History & Criticism. _2bisacsh |
|
| 653 | _aCorporeality. | ||
| 653 | _aCultural Studies. | ||
| 653 | _aCulture. | ||
| 653 | _aMetaphor. | ||
| 653 | _aMusic Performance. | ||
| 653 | _aMusic. | ||
| 653 | _aMusical Analysis. | ||
| 653 | _aMusicology. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783839445730?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783839445730 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783839445730/original |
| 942 | _cEB | ||
| 999 |
_c288520 _d288520 |
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