| 000 | 03325nam a2200685 454500 | ||
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| 001 | 289240 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106152538.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240625t20222022gw fo d z eng d | ||
| 020 |
_a9783839458518 _qPDF |
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| 024 | 7 |
_a10.1515/9783839458518 _2doi |
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| 035 | _a(DE-B1597)9783839458518 | ||
| 035 | _a(DE-B1597)586128 | ||
| 035 | _a(OCoLC)1342793619 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aML82 _b.M73513 2022 |
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| 072 | 7 |
_aMUS020000 _2bisacsh |
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| 082 | 0 | 4 |
_a780.82 _223/eng/20220929 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMüller, LJ _eautore |
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| 245 | 1 | 0 |
_aHearing Sexism : _bGender in the Sound of Popular Music. A Feminist Approach / _cLJ Müller. |
| 264 | 1 |
_aBielefeld : _btranscript Verlag, _c[2022] |
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| 264 | 4 | _c©2022 | |
| 300 | _a1 online resource (208 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aStudien zur Popularmusik | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tIntroduction: What Does Sexism Actually Sound Like? -- _tChapter 1: Tools of Analysis -- _tChapter 2: ‘Authenticity’ as an Implicitly Masculine Norm -- _tChapter 3: Alternative Aesthetic Strategies of Female Singers -- _tConclusion: Hearing Sexism? -- _tReferences |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIf pictures can be sexist, can analyzing sound reveal sexism, too? Where is the language to discuss sexism in music? LJ Müller tackles these important questions in their 2018 German book titled Sound und Sexismus, which was awarded the IASPM 2019 book prize. Analyzing the voices of Kurt Cobain, Kate Bush, Björk and others, Müller demonstrates how gender is performed vocally and interacts with gendered aspects of embodiment and affect. The book is written from a strongly positioned and personal feminist perspective and is appealing to readers from various backgrounds - singers, producers, music lovers, as well as academics and anyone with an interest in feminist takes on pop culture. | ||
| 536 | _afunded by Mariann Steegmann Foundation | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 | _aFeminism and music. | |
| 650 | 0 |
_aPopular music _xAnalysis, appreciation. |
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| 650 | 0 |
_aPopular music _xSocial aspects. |
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| 650 | 0 | _aSexism in music. | |
| 650 | 4 | _aGender Studies. | |
| 650 | 4 | _aGender. | |
| 650 | 4 | _aMusic. | |
| 650 | 4 | _aMusicology. | |
| 650 | 4 | _aPop Music. | |
| 650 | 7 |
_aMUSIC / History & Criticism. _2bisacsh |
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| 653 | _aGender Studies. | ||
| 653 | _aGender. | ||
| 653 | _aMusic. | ||
| 653 | _aMusicology. | ||
| 653 | _aPop Music. | ||
| 710 | 2 |
_aMariann Steegmann Foundation _efondatore di un'opera |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9783839458518?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9783839458518 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9783839458518/original |
| 942 | _cEB | ||
| 999 |
_c289240 _d289240 |
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