000			04435nam a22006615i 4500
001			291853
003			IT-RoAPU
005			20221215003137.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			220830t20222012hu fo d z eng d
020			_a9786155225567 _qPDF
024	7		_a10.1515/9786155225567 _2doi
035			_a(DE-B1597)9786155225567
035			_a(DE-B1597)633197
035			_a(OCoLC)1338019945
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aP96.W352 _bE8524 2012eb
072		7	_aSOC028000 _2bisacsh
082	0	4	_a355.02082 _223
084			_aonline - DeGruyter
245	0	0	_aEmbracing Arms : _bCultural Representation of Slavic and Balkan Women in War / _ced. by Yana Hashamova, Helena Goscilo.
264		1	_aBudapest ; _aNew York : _bCentral European University Press, _c[2022]
264		4	_c©2012
300			_a1 online resource (364 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tTable of Contents -- _tPreface and Acknowledgments -- _tIntroduction -- _tWORLD WAR II -- _tFilm and Television -- _tChapter 1 Invisible Deaths: Polish Cinema’s Representation of Women in World War II -- _tChapter 2 She Defends His Motherland: The Myth of Mother Russia in Soviet Maternal Melodrama of the 1940s -- _tChapter 3 Flight without Wings: The Subjectivity of a Female War Veteran in Larisa Shepit’ko’s Wings (1966) -- _tChapter 4 Gender(ed) Games: Romance, Slapstick, and Ideology in the Polish Television Series Four Tank Men and a Dog -- _tLiterature, Graphics, Song -- _tChapter 5 Rage in the City of Hunger: Body, Talk, and the Politics of Womanliness in Lidia Ginzburg’s Notes from the Siege of Leningrad -- _tChapter 6 Graphic Womanhood under Fire -- _tChapter 7 Songs of Women Warriors and Women Who Waited -- _tRECENT WARS -- _tChapter 8 “Black Widows”: Women as Political Combatants in the Chechen Conflict -- _tChapter 9 War Rape: (Re)defining Motherhood, Fatherhood, and Nationhood -- _tChapter 10 Dubravka Ugrešić’s War Museum: Approaching the “Point of Pain” -- _tList of Contributors -- _tIndex -- _tIllustration
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aDiscursive practices during war polarize and politicize gender: they normally require men to fulfill a single, overriding task—destroy the enemy—but impose a series of often contradictory expectations on women. The essays in the book establish links between political ideology, history, psychology, cultural studies, cinema, literature, and gender studies and addresses questions such as— what is the role of women in war or military conflicts beyond the well-studied victimization? Can the often contradictory expectations of women and their traditional roles be (re)thought and (re)constructed? How do cultural representations of women during war times reveal conflicting desires and poke holes in the ideological apparatus of the state and society?
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022)
650		0	_aWar in mass media.
650		0	_aWomen and war _zBalkan Peninsula.
650		0	_aWomen and war _zSlavic countries.
650		0	_aWomen in mass media.
650		7	_aSOCIAL SCIENCE / Women's Studies. _2bisacsh
653			_aFilm, Gender studies, Literature, Media, Political violence, Women, Women and war, World War II.
700	1		_aGoscilo, Helena _eautore _ecuratore
700	1		_aHashamova, Yana _eautore _ecuratore
700	1		_aLipovetsky, Mark _eautore
700	1		_aMamoon, Trina R. _eautore
700	1		_aMikhailova, Tatiana _eautore
700	1		_aOstrowska, Elżbieta _eautore
700	1		_aProkhorov, Alexander _eautore
700	1		_aProkhorova, Elena _eautore
700	1		_aRothstein, Robert A. _eautore
700	1		_aSandomirskaja, Irina _eautore
700	1		_aWienhold-Brokish, Jessica _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9786155225567
856	4	0	_uhttps://www.degruyter.com/isbn/9786155225567
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9786155225567/original
942			_cEB
999			_c291853 _d291853