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020 _a9789053564943
_qprint
020 _a9789048505067
_qPDF
024 7 _a10.1515/9789048505067
_2doi
035 _a(DE-B1597)9789048505067
035 _a(DE-B1597)532745
035 _a(OCoLC)1100504024
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER000000
_2bisacsh
082 0 4 _a791.43
084 _aonline - DeGruyter
245 0 0 _aCamera Obscura, Camera Lucida :
_bEssays in Honor of Annette Michelson /
_ced. by Richard Allen, Malcolm Turvey.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2003]
264 4 _c©2003
300 _a1 online resource (296 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Culture in Transition
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tPreface --
_tIntroduction --
_tThe Logic Of An Illusion Notes On The Genealogy Of Intellectual Cinema --
_tNarcissistic Machines And Erotic Prostheses --
_tLoïe Fuller And The Art Of Motion Body, Light, Electricity, And The Origins Of Cinema --
_tVisitings Of Awful Promise The Cinema Seen From Etna --
_tTransfiguring The Urban Gray László Moholy-Nagy'S Film Scenario 'Dynamic Of The Metropolis' --
_tEisenstein'S Philosophy Of Film --
_tKnight'S Moves --
_tHitchcock And Narrative Suspense Theory And Practice --
_tFrom The Air A Genealogy Of Antonioni'S Modernism --
_tDr. Strangelove Or: The Apparatus Of Nuclear Warfare --
_tCollection And Recollection On Film Itineraries And Museum Walks --
_tAfterward: A Matter Of Time Analog Versus Digital, The Perennial Question Of Shifting Technology And Its Implications For An Experimental Filmmaker'S Odyssey --
_tSelect Bibliography --
_tList Of Contributors --
_tIndex
506 0 _aOpen Access
_uhttps://purl.org/coar/access_right/c_abf2
_funrestricted online access
_2star
520 _aAnnette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution.
538 _aMode of access: Internet via World Wide Web.
540 _aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license:
_uhttps://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 0 _aArt and motion pictures.
650 0 _aModernism (Art).
650 0 _aMotion pictures.
650 7 _aPERFORMING ARTS / General.
_2bisacsh
700 1 _aAllen, Richard
_eautore
_ecuratore
700 1 _aBruno, Giuliana
_eautore
700 1 _aCarroll, Noël
_eautore
700 1 _aDimendberg, Edward
_eautore
700 1 _aGunning, Tom
_eautore
700 1 _aIampolski, Mikhail
_eautore
700 1 _aKrauss, Rosalind
_eautore
700 1 _aLiebman, Stuart
_eautore
700 1 _aMangolte, Babette
_eautore
700 1 _aSimon, William G.
_eautore
700 1 _aSteimatsky, Noa
_eautore
700 1 _aTurvey, Malcolm
_eautore
_ecuratore
700 1 _aWeiss, Allen S.
_eautore
700 1 _aWollen, Peter
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048505067?locatt=mode:legacy
_zOpen Access
_70
856 4 0 _uhttps://www.degruyter.com/isbn/9789048505067
_zOpen Access
_70
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048505067/original
942 _cEB
999 _c291897
_d291897