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| 008 | 221201t20032003ne fo d z eng d | ||
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_a10.1515/9789048505067 _2doi |
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| 035 | _a(DE-B1597)532745 | ||
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| 082 | 0 | 4 | _a791.43 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aCamera Obscura, Camera Lucida : _bEssays in Honor of Annette Michelson / _ced. by Richard Allen, Malcolm Turvey. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2003] |
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| 264 | 4 | _c©2003 | |
| 300 | _a1 online resource (296 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aFilm Culture in Transition | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgements -- _tPreface -- _tIntroduction -- _tThe Logic Of An Illusion Notes On The Genealogy Of Intellectual Cinema -- _tNarcissistic Machines And Erotic Prostheses -- _tLoïe Fuller And The Art Of Motion Body, Light, Electricity, And The Origins Of Cinema -- _tVisitings Of Awful Promise The Cinema Seen From Etna -- _tTransfiguring The Urban Gray László Moholy-Nagy'S Film Scenario 'Dynamic Of The Metropolis' -- _tEisenstein'S Philosophy Of Film -- _tKnight'S Moves -- _tHitchcock And Narrative Suspense Theory And Practice -- _tFrom The Air A Genealogy Of Antonioni'S Modernism -- _tDr. Strangelove Or: The Apparatus Of Nuclear Warfare -- _tCollection And Recollection On Film Itineraries And Museum Walks -- _tAfterward: A Matter Of Time Analog Versus Digital, The Perennial Question Of Shifting Technology And Its Implications For An Experimental Filmmaker'S Odyssey -- _tSelect Bibliography -- _tList Of Contributors -- _tIndex |
| 506 | 0 |
_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star |
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| 520 | _aAnnette Michelson's contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in relation to avant-garde and modernist art works and artists. Still others investigate and evaluate Michelson's work itself. All in some way pay homage to her extraordinary contribution. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 540 |
_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access |
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| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | _aArt and motion pictures. | |
| 650 | 0 | _aModernism (Art). | |
| 650 | 0 | _aMotion pictures. | |
| 650 | 7 |
_aPERFORMING ARTS / General. _2bisacsh |
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| 700 | 1 |
_aAllen, Richard _eautore _ecuratore |
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| 700 | 1 |
_aBruno, Giuliana _eautore |
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| 700 | 1 |
_aCarroll, Noël _eautore |
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| 700 | 1 |
_aDimendberg, Edward _eautore |
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| 700 | 1 |
_aGunning, Tom _eautore |
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| 700 | 1 |
_aIampolski, Mikhail _eautore |
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| 700 | 1 |
_aKrauss, Rosalind _eautore |
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| 700 | 1 |
_aLiebman, Stuart _eautore |
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| 700 | 1 |
_aMangolte, Babette _eautore |
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| 700 | 1 |
_aSimon, William G. _eautore |
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| 700 | 1 |
_aSteimatsky, Noa _eautore |
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| 700 | 1 |
_aTurvey, Malcolm _eautore _ecuratore |
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| 700 | 1 |
_aWeiss, Allen S. _eautore |
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| 700 | 1 |
_aWollen, Peter _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 |
_uhttps://doi.org/10.1515/9789048505067?locatt=mode:legacy _zOpen Access _70 |
| 856 | 4 | 0 |
_uhttps://www.degruyter.com/isbn/9789048505067 _zOpen Access _70 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048505067/original |
| 942 | _cEB | ||
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_c291897 _d291897 |
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