000			03604nam a22005415i 4500
001			291904
003			IT-RoAPU
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008			221201t20022003ne fo d z eng d
020			_a9789053565988 _qprint
020			_a9789048505197 _qPDF
024	7		_a10.1515/9789048505197 _2doi
035			_a(DE-B1597)9789048505197
035			_a(DE-B1597)532760
035			_a(OCoLC)437106753
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aD522.23 _b.K4713 2003
072		7	_aPER000000 _2bisacsh
084			_aonline - DeGruyter
100	1		_aKester, Bernadette _eautore
245	1	0	_aFilmfront Weimar : _bRepresentations of the First World War in German Films from the Weimar Period (1919-1933) / _cBernadette Kester.
264		1	_aAmsterdam : _bAmsterdam University Press, _c[2002]
264		4	_c©2003
300			_a1 online resource (332 p.) : _bIllustrated
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aFilm Culture in Transition
505	0	0	_tFrontmatter -- _tContents -- _tPreface And Acknowledgements -- _tIntroduction -- _tChapter 1: 'Lehrreich Und Amüsant' - Historical Films In The Period 1896-1933 -- _tChapter 2: 'Die Legende Von Der Unschuld' - Films About The Run-Up To The War, Especially 1914. Die Letzten Tage Vor Dem Weltbrand -- _tChapter 3: 'Das Dokumentarische Gewinnt Die Oberhand' - Archival Footage And Constructions In War Films -- _tChapter 4: 'Wenn Wir Helden Wären, Wären Wir Schon Längst Daheim' - Realism And Anti-War Tendencies In Four Films -- _tChapter 5: 'Auf Dem Meere, Da Ist Der Mann Noch Etwas Wert' - Films About The German Navy During The First World War -- _tChapter 6: 'Neid, Leid, Tränen - Das Ist Der Krieg' - Gender And War Films -- _tEpilogue -- _tNotes -- _tCredits Weimar War Films -- _tArchives And Libraries -- _tBibliography -- _tIndex Of Names -- _tIndex Of Subjects
506	0		_aOpen Access _uhttps://purl.org/coar/access_right/c_abf2 _funrestricted online access _2star
520			_aHow was Germany's experience of World War I depicted in film during the following years? Drawing on analysis of the films of the Weimar era-documentaries and feature films addressing the war's causes, life at the front, war at sea, and the home front-Bernadette Kester sketches out the historical context, including reviews and censors' reports, in which these films were made and viewed, and offers much insight into how Germans collectively perceived World War I during its aftermath and beyond.
538			_aMode of access: Internet via World Wide Web.
540			_aThis eBook is made available Open Access under a CC BY-NC-ND 4.0 license: _uhttps://creativecommons.org/licenses/by-nc-nd/4.0https://www.aup.nl/en/publish/open-access
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650		0	_aMotion pictures _zGermany _xHistory _y20th century.
650		0	_aPropaganda, German _xHistory _y20th century.
650		0	_aWorld War, 1914-1918 _xMotion pictures and the war.
650		7	_aPERFORMING ARTS / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9789048505197?locatt=mode:legacy _zOpen Access _70
856	4	0	_uhttps://www.degruyter.com/isbn/9789048505197 _zOpen Access _70
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048505197/original
942			_cEB
999			_c291904 _d291904