000			04223nam a22007095i 4500
001			292084
003			IT-RoAPU
005			20221215003147.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			221201t20152015ne fo d z eng d
020			_a9789089646668 _qprint
020			_a9789048523443 _qPDF
024	7		_a10.1515/9789048523443 _2doi
035			_a(DE-B1597)9789048523443
035			_a(DE-B1597)502647
035			_a(OCoLC)903973770
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aSOC052000 _2bisacsh
082	0	4	_a791.4301
084			_aonline - DeGruyter
245	0	0	_aCine-Dispositives : _bEssays in Epistemology Across Media / _ced. by Maria Tortajada, François Albera.
264		1	_aAmsterdam : _bAmsterdam University Press, _c[2015]
264		4	_c©2015
300			_a1 online resource (386 p.) : _b33 halftones
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aFilm Culture in Transition
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tQuestioning The Word “Dispositif” -- _tForeword -- _tI. Dispositives Programs -- _tThe Dispositive Does Not Exist! -- _tBetween Knowing And Believing -- _tII. Dispositives Issues -- _t“You Do Not Even Know Where You Are” -- _tMarey And The Synthesis Of Movement -- _tNotes On The Bergsonian Cinematograph -- _tThe Stereopticon And Cinema -- _tOn Some Limitations Of The Definition Of The Dispositive “Cinema” -- _tThe Moment Of The “Dispositif” -- _tThe “Dispositive Effect” In Film Narrative -- _tIII. Dispositives Histories -- _tThe Social Imaginary Of Telephony -- _tBetween Paradoxical Spectacles And Technical Dispositives -- _tForms Of Machines, Forms Of Movement -- _tThe Amateur-Dispositive -- _tTwo Versions Of The Television Dispositive -- _tReality Television As Dispositive: The Case Of French-Speaking Switzerland -- _tDispositive And Cinepoetry, Around Foucault’S Death And The Labyrinth -- _tArchaeology And Spectacle -- _tAbout The Authors -- _tIndex Of Titles -- _tIndex Of Names
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis collection brings together a number of leading scholars in film studies to explore viewing and listening dispositives—the Foucauldian concept of a strategic and technical configuration of practices and discourses—from the emergence of film studies as a field in the 1960s to more recent uses of the concept. In particular, the contributors confront points of view and perspectives in the context of the rise and spread of new technologies—changes that are continually altering the boundaries and the spaces of cinema and thus demand new analysis and theoretization.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650		4	_aFilm Studies.
650		4	_aFilm, Media, and Communication.
650		7	_aSOCIAL SCIENCE / Media Studies. _2bisacsh
653			_aMedia, Cinema, Dispositive, Apparatus, Epistemology.
700	1		_aAlbera, François _eautore _ecuratore
700	1		_aBoillat, Alain _eautore
700	1		_aBouchez, Charlotte _eautore
700	1		_aDelavaud, Gilles _eautore
700	1		_aDuring, Elie _eautore
700	1		_aDésile, Patrick _eautore
700	1		_aElsaesser, Thomas _eautore
700	1		_aGaudreault, André _eautore
700	1		_aGuido, Laurent _eautore
700	1		_aHachemi, Omar _eautore
700	1		_aMusser, Charles _eautore
700	1		_aOrtel, Philippe _eautore
700	1		_aPaci, Viva _eautore
700	1		_aTortajada, Maria _eautore _ecuratore
700	1		_aTurquety, Benoît _eautore
700	1		_aWall-Romana, Christophe _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9789048523443?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9789048523443
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048523443/original
942			_cEB
999			_c292084 _d292084