000			03288nam a22005775i 4500
001			292130
003			IT-RoAPU
005			20221215003148.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			210830t20162016ne fo d z eng d
010			_a2016521316
020			_a9789089648884 _qprint
020			_a9789048527526 _qPDF
024	7		_a10.1515/9789048527526 _2doi
035			_a(DE-B1597)9789048527526
035			_a(DE-B1597)502865
035			_a(OCoLC)1020495072
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1993.5.T28 _bM66 2016
072		7	_aART057000 _2bisacsh
082	0	4	_a791.430951249
084			_aonline - DeGruyter
100	1		_aMon, Ya-Feng _eautore
245	1	0	_aFilm Production and Consumption in Contemporary Taiwan : _bCinema as a Sensory Circuit / _cYa-Feng Mon.
264		1	_aAmsterdam : _bAmsterdam University Press, _c[2016]
264		4	_c©2016
300			_a1 online resource (216 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aAcumen Research Editions ; _v1
505	0	0	_tFrontmatter -- _tAsian Visual Cultures -- _tTable of Contents -- _tAcknowledgements -- _t1. Through the Nexus of Bodies and Things. Introduction -- _t2. Mediated Knowledge. Methodology -- _t3. Bodily Fantasy. Embodied Spectatorship and Object Intervention -- _t4. Sensory Linkage. The Politics of Genre Film Making -- _t5. Intimacy. Internet Marketing as Collaborative Production -- _t6. Indeterminacy. Control and the (Un)productive Body -- _t7. Mediation and Connections in a Precarious Age. Conclusion -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis book uses the potent case study of contemporary Taiwanese queer romance films to address the question of how capitalism in Taiwan has privileged the film industry at the expense of the audience's freedom to choose and respond to culture on its own terms. Interweaving in-depth interviews with filmmakers, producers, marketers, and spectators, Ya-Fong Mon takes a biopolitical approach to the question, showing how the industry uses investments in technoscience, ancillary marketing, and media convergence to seduce and control the sensory experience of the audience-yet that control only extends so far: volatility remains a key component of the filmgoing experience.
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021)
650		0	_aMotion pictures _zTaiwan.
650		4	_aAsian Studies.
650		4	_aCultural Studies.
650		7	_aART / Film & Video. _2bisacsh
653			_aculture industry, prosumption, cinematic communication, embodiment, biopolitical governance.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9789048527526?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9789048527526
856	4	2	_3Cover _uhttps://www.degruyter.com/cover/covers/9789048527526.jpg
942			_cEB
999			_c292130 _d292130