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| 001 | 292150 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221215003149.0 | ||
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| 008 | 220302t20172017ne fo d z eng d | ||
| 010 | _a2018390084 | ||
| 020 |
_a9789089649966 _qprint |
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| 020 |
_a9789048529094 _qPDF |
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_a10.1515/9789048529094 _2doi |
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| 035 | _a(DE-B1597)9789048529094 | ||
| 035 | _a(DE-B1597)502572 | ||
| 035 | _a(OCoLC)1020286324 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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_aPN1998.3.M6855 _bF55 2018 |
| 072 | 7 |
_aPER004000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Films of Bill Morrison : _bAesthetics of the Archive / _ced. by Bernd Herzogenrath. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2017] |
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| 264 | 4 | _c©2017 | |
| 300 |
_a1 online resource (280 p.) : _b4 color plates, 20 halftones |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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| 490 | 0 | _aFraming Film | |
| 505 | 0 | 0 |
_tFrontmatter -- _tTable Of Contents -- _tAcknowledgments -- _tAesthetics Of The Archive An Introduction -- _tChapter 1. Drafts And Fragments Reflections Around Bill Morrison And The Paper Print Collection -- _tChapter 2.The Film Of Her The Cine-Poet Laureate Of Orphan Films -- _tChapter 3.Ghost Trip Searching For Potential Myths -- _tChapter 4. Decasia The Matter Image: Film Is Also A Thing -- _tChapter 5 .The Mesmerist Illustrating The Return Of The Repressed -- _tChapter 6. Light Is Calling Celluloid Dreams -- _tChapter 7. Gotham Zoetrope: Block By Block -- _tChapter 8.Outerborough Early Cinema Revisited -- _tChapter 9. The Highwater Trilogy Thinking The Liquid - On The Ethics Of Water And The Material Ecologies Of Disaster And Ruination -- _tChapter 10. Porch Archives, Collective Memory, And The Poetics Of Home Movies -- _tChapter 11. The Future Lasts Long The Romanov Lost Family Archives -- _tChapter 12.Who By Water Variations On Matter, Figures, Memory, And Mythology -- _tChapter 13. Every Stop On The F-Train Beyond And Within The Restless Netherworld Of (Manhattan'S) Mind -- _tChapter 14.Spark Of Being Bachelor Machine -- _tChapter 15. The Miners' Hymns Acts Of Resurrection -- _tChapter 16.Tributes - Pulse: A Requiem For The 20Th Century Death Drive Image -- _tChapter 17.Just Ancient Loops The Loops Of Life In Intonation -- _tChapter 18.The Great Flood Water Is Transparence Derived From The Presence Of Everything -- _tChapter 19. Re-Awakenings Bill Morrison In Conversation -- _tIndex Of Film Titles -- _tIndex Of Names -- _tIndex Of Subjects |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAvant-garde filmmaker Bill Morrison has been making films that combine archival footage and contemporary music for decades, and he has recently begun to receive substantial recognition: he was the subject of a retrospective at the Museum of Modern Art, and his 2002 film Decasia was selected for the National Film Registry by the Library of Congress. This is the first book-length study of Morrison's work, covering the whole of his career. It gathers specialists throughout film studies to explore Morrison's "aesthetics of the archive"-his creative play with archival footage and his focus on the materiality of the medium of film. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 |
_aMotion picture producers and directors _zUnited States. |
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| 650 | 4 | _aArchiving, Conservation and Digitization. | |
| 650 | 4 | _aFilm Studies. | |
| 650 | 4 | _aFilm, Media, and Communication. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
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| 653 | _aBill Morrison, film, archive, avant-garde. | ||
| 700 | 1 |
_aAfshar, Yasmin _eautore |
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| 700 | 1 |
_aBerressem, Hanjo _eautore |
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| 700 | 1 |
_aBetka, Benjamin _eautore |
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| 700 | 1 |
_aBinotto, Johannes _eautore |
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| 700 | 1 |
_aCusick, William _eautore |
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| 700 | 1 |
_aGersten, David _eautore |
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| 700 | 1 |
_aHabib, André _eautore |
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| 700 | 1 |
_aHerzogenrath, Bernd _eautore _ecuratore |
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| 700 | 1 |
_aHoffmann, Eva _eautore |
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| 700 | 1 |
_aHorak, Jan-Christopher _eautore |
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| 700 | 1 |
_aLéon, Benjamin _eautore |
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| 700 | 1 |
_aMorgenstern, Hans _eautore |
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| 700 | 1 |
_aPierron, Andrea _eautore |
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| 700 | 1 |
_aPopple, Simon _eautore |
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| 700 | 1 |
_aReynaud, Bérénice _eautore |
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| 700 | 1 |
_aSandhu, Sukhdev _eautore |
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| 700 | 1 |
_aStreible, Dan _eautore |
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| 700 | 1 |
_aVillete, Agnes _eautore |
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| 700 | 1 |
_aWeschler, Lawrence _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9789048529094?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9789048529094 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048529094/original |
| 942 | _cEB | ||
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_c292150 _d292150 |
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