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020 _a9789462980570
_qprint
020 _a9789048529964
_qPDF
024 7 _a10.1515/9789048529964
_2doi
035 _a(DE-B1597)9789048529964
035 _a(DE-B1597)502859
035 _a(OCoLC)1020612507
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART057000
_2bisacsh
082 0 4 _a791.4
084 _aonline - DeGruyter
100 1 _aElsaesser, Thomas
_eautore
245 1 0 _aFilm History as Media Archaeology :
_bTracking Digital Cinema /
_cThomas Elsaesser.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2016]
264 4 _c©2016
300 _a1 online resource (414 p.) :
_b30 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Culture in Transition ;
_v50
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tGeneral Introduction. Media Archaeology: Foucault's Legacy --
_tI. Early Cinema --
_t1. Film History as Media Archaeology --
_t2. The Cinematic Dispositif (Between Apparatus Theory and Artists' Cinema) --
_tII. The Challenge of Sound --
_t3. Going 'Live'. Body and Voice in Some Early German Sound Films --
_t4. The Optical Wave. Walter Ruttmann in 1929 --
_tIII. Archaeologies of Interactivity --
_t5. Archaeologies of Interactivity. The "Rube" as Symptom of Media Change --
_t6. Constructive Instability. or: The Life of Things as Cinema's Afterlife? --
_tIV. Digital Cinema --
_t7. Digital Cinema. Delivery, Event, Time --
_t8. Digital Cinema and the Apparatus. Archaeologies, Epistemologies, Ontologies --
_tV. New Genealogies of Cinema --
_t9. The "Return" of 3D. On Some of the Logics and Genealogies of the Image in the Twenty-First Century --
_t10. Cinema, Motion, Energy, and Entropy --
_tVI. Media Archaeology as Symptom --
_t11. Media Archaeology as the Poetics of Obsolescence --
_t12. Media Archaeology as Symptom --
_tMedia Archaeology - Selected Bibliography --
_tIndex of Film Titles --
_tIndex of Key Words --
_tIndex of Names --
_tFilm Culture in Transition
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSince cinema has entered the digital era, its very nature has come under renewed scrutiny. Countering the "death of cinema" debate, Film History as Media Archaeology​ presents a robust argument for cinema's current status as a new epistemological object of interest to philosophers, while also examining the presence of moving images in museum and art spaces as a challenge for art history. The study is the fruit of twenty years of research and writing at the interface of film history, media theory, and media archaeology by one of the acknowledged pioneers of new film history and media archaeology. It joins the efforts of other media scholars to locate cinema's historical emergence and subsequent transformations within the broader field of media change and interaction as we experience them today.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 4 _aFilm Studies.
650 4 _aFilm, Media, and Communication.
650 7 _aART / Film & Video.
_2bisacsh
653 _aFilm History, Media Archaeology, Convergence, Obsolescence, Cinema as Dispositif.
700 1 _aElsaesser, Thomas
_eautore
700 1 _aHagener, Malte
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048529964?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048529964
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048529964/original
942 _cEB
999 _c292167
_d292167