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| 001 | 292173 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221215003150.0 | ||
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| 008 | 220302t20172017ne fo d z eng d | ||
| 020 |
_a9789462980761 _qprint |
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| 020 |
_a9789048530243 _qPDF |
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| 024 | 7 |
_a10.1515/9789048530243 _2doi |
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| 035 | _a(DE-B1597)9789048530243 | ||
| 035 | _a(DE-B1597)518182 | ||
| 035 | _a(OCoLC)1088930312 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPN1993 | |
| 072 | 7 |
_aHIS040000 _2bisacsh |
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| 082 | 0 | 4 |
_a791 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aGergely, Gábor _eautore |
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| 245 | 1 | 0 |
_aHungarian Film, 1929-1947 : _bNational Identity, Anti-Semitism and Popular Cinema / _cGábor Gergely. |
| 264 | 1 |
_aAmsterdam : _bAmsterdam University Press, _c[2017] |
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| 264 | 4 | _c©2017 | |
| 300 |
_a1 online resource (329 p.) : _b30 halftones |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aEastern European screen cultures ; _v2 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tTable of Contents -- _tList of Illustrations -- _tAcknowledgements -- _tA Note on Accents, Pronunciation, Names, and Spellings -- _tPreface -- _tIntroduction -- _t1. Key Concepts in Pre-1945 Hungarian Cinema -- _t2. A Contested Film History -- _t3. An Industry Emerges 1931-1935 -- _t4. Boom, Crisis and Anti-Semitic Reorganization 1936-1941 -- _t5. From War Boom to Bust 1941-1944 -- _tEpilogue: Industry Reboot and the Myth of a New Start 1945-1947 -- _tConcluding Remarks -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aWhat does it mean for someone or something to be Hungarian? That was the far-reaching question that people grappled with in Hungary in the wake of the losses and transformation brought by World War I. Because the period also saw the rise of cinema, audiences, filmmakers, critics, and officials often looked at films with an eye to that question, too: Did the Hungary seen on screen represent the Hungary they knew from everyday life? And-crucially-did the major role played by Jewish Hungarians in the film industry make the sector and its creations somehow Jewish rather than Hungarian? Jews, it was soon decided, could not really be Hungarian, and acts of Parliament soon barred them from taking major roles in cinema production. This book tells the troubled story of that period in Hungarian cinematic history, taking it up through World War II. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | _aJews in motion pictures. | |
| 650 | 0 |
_aMotion picture industry _zHungary _xHistory. |
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| 650 | 0 |
_aMotion pictures _zHungary _xHistory. |
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| 650 | 0 | _aNational characteristics, Hungarian. | |
| 650 | 4 | _aFilm Studies. | |
| 650 | 4 | _aFilm, Media, and Communication. | |
| 650 | 7 |
_aHISTORY / Europe / Austria & Hungary. _2bisacsh |
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| 653 | _acinema, Hungary, anti-Semitism, popular film, genre. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9789048530243?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9789048530243 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048530243/original |
| 942 | _cEB | ||
| 999 |
_c292173 _d292173 |
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