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020 _a9789462980778
_qprint
020 _a9789048530250
_qPDF
024 7 _a10.1515/9789048530250
_2doi
035 _a(DE-B1597)9789048530250
035 _a(DE-B1597)502476
035 _a(OCoLC)1023497835
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
082 0 4 _a791.4301
084 _aonline - DeGruyter
100 1 _aHven, Steffen
_eautore
245 1 0 _aCinema and Narrative Complexity :
_bEmbodying the Fabula /
_cSteffen Hven.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2017]
264 4 _c©2017
300 _a1 online resource (260 p.) :
_b3 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Culture in Transition
505 0 0 _tFrontmatter --
_tTable of Contents --
_tI. Introduction --
_tII. Cinema in the Interstices --
_tIII. Narrative Ambiguity in the Classical Cinema --
_tIV. Modern(ist) Cinema: Logic of the Encounter --
_tV. Towards the Embodied Fabula --
_tVI. The Complexity of Complex Narratives --
_tVII. Memento and the Embodied Fabula --
_tVIII. Conclusions --
_tBibliography --
_tNotes --
_tAcknowledgments --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aSince the mid-1990s, a number of films from international filmmakers have experimented with increasingly complicated narrative strategies-including such hits as Run, Lola, Run, 21 Grams, and Memento. This book sets those films and others in context with earlier works that tried new narrative approaches, including Stage Fright and Hiroshima, Mon Amour, to show how they reveal the limitations of most of our usual tools for analysing film. In light of that, Steffen Hven argues for the deployment of an 'embodied' reconfiguration of the cinematic experience, one that allows us to rethink such core constituents of narrative understanding as cognition, emotion, and affect.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 4 _aFilm Studies.
650 4 _aFilm, Media, and Communication.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
653 _aFilm-philosophy, cognitive film science, embodied cognition, narratology, 'complex narratives'.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048530250?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048530250
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048530250/original
942 _cEB
999 _c292174
_d292174