000 03355nam a22005415i 4500
001 292198
003 IT-RoAPU
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006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20172017ne fo d z eng d
020 _a9789462981898
_qprint
020 _a9789048531684
_qPDF
024 7 _a10.1515/9789048531684
_2doi
035 _a(DE-B1597)9789048531684
035 _a(DE-B1597)502506
035 _a(OCoLC)1059280720
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aSeibel, Alexandra
_eautore
245 1 0 _aVisions of Vienna :
_bNarrating the City in 1920s and 1930s Cinema /
_cAlexandra Seibel.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2017]
264 4 _c©2017
300 _a1 online resource (272 p.) :
_b30 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFilm Culture in Transition
505 0 0 _tFrontmatter --
_tContents --
_t1. Introduction: Vienna in Cinema: A Traveling Image, 1920-40 --
_t2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim --
_t3. Critical, Controversial, Conventional: Viennese Girls in Films by Ophüls, Feyder, Hochbaum, and Forst --
_t4. Women and the Market of Modernity: G.W. Pabst's The Joyless Street (1925) --
_t5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta --
_t6. Conclusion --
_tAcknowledgements --
_tNotes --
_tIllustration Credits --
_tFilmography --
_tBibliography --
_tIndex of Film Titles --
_tIndex of Names and Subjects
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aVienna, with its stunning architecture and unforgettable streetscape, has long provided a backdrop for filmmakers. Visions of Vienna offers a close look at how directors such as Erich von Stroheim, Ernst Lubitsch, and Max Ophüls made use of the city, and how the nostalgic glorification of the Habsburg era can be seen as directly tied to crucial issues of modernity. Films set in Vienna, Alexandra Seibel shows, persistently articulate the experience of displacement due to emigration, changing gender relations and anti-feminism, class distinction, and anti-Semitism, themes that run counter to the ongoing mystification of Vienna as the incarnation of "waltz dreams" and schmaltz.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aMotion pictures
_zAustria
_zVienna
_xHistory.
650 4 _aFilm, Media, and Communication.
650 4 _aMedia Studies.
650 7 _aPERFORMING ARTS / Film & Video / General.
_2bisacsh
653 _aVienna in film, city and cinema, modernity, feminism, emigré directors.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048531684?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048531684
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048531684/original
942 _cEB
999 _c292198
_d292198