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008 230103t20172017ne fo d z eng d
020 _a9789462982970
_qprint
020 _a9789048532940
_qPDF
024 7 _a10.1515/9789048532940
_2doi
035 _a(DE-B1597)9789048532940
035 _a(DE-B1597)502552
035 _a(OCoLC)1003641369
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015030
_2bisacsh
082 0 4 _a759.9492
084 _aonline - DeGruyter
100 1 _aHo, Angela
_eautore
245 1 0 _aCreating Distinctions in Dutch Genre Painting :
_bRepetition and Invention /
_cAngela Ho.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2017]
264 4 _c©2017
300 _a1 online resource (304 p.) :
_b16 color plates, 70 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aVisual and Material Culture, 1300 –1700 ;
_v1
505 0 0 _tFrontmatter --
_tList of Illustrations --
_tAcknowledgments --
_tIntroduction --
_t1. Key Concepts --
_t2. A Niche of One’s Own: Gerrit Dou’s Brand-Building Project --
_t3. The Pleasure of Novelty: Gerard ter Borch’s Innovation --
_t4. Invention through Repetition: Imitation and Emulation in the Work of Frans van Mieris --
_tEpilogue: On Signature Products, Knock-Offs, and Product Lines --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn the mid- to late seventeenth century, a number of Dutch painters created a new type of refined genre painting that was much admired by elite collectors. In this book, Angela Ho uses the examples of Gerrit Dou, Gerard ter Borch, and Frans van Mieris to show how this group of artists made creative use of repetition-such as crafting virtuosic, self-referential compositions around signature motifs, or engaging esteemed predecessors in a competitive dialogue through emulation-to project a distinctive artistic personality. The resulting paintings enabled purchasers and viewers to exercise their connoisseurial eye and claim membership in an exclusive circle of sophisticated enthusiasts-making creative repetition a successful strategy for both artists and viewers.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650 4 _aEarly Modern Studies.
650 4 _aHistory, Art History, and Archaeology.
650 7 _aART / European.
_2bisacsh
653 _aDutch Genre Painting, Repetition, Innovation, Collecting, Art Market.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048532940?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048532940
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048532940/original
942 _cEB
999 _c292215
_d292215