| 000 | 05191nam a22007455i 4500 | ||
|---|---|---|---|
| 001 | 292217 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221215003152.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 221201t20222022ne fo d z eng d | ||
| 020 | 
_a9789048532964 _qPDF  | 
||
| 024 | 7 | 
_a10.1515/9789048532964 _2doi  | 
|
| 035 | _a(DE-B1597)9789048532964 | ||
| 035 | _a(DE-B1597)612437 | ||
| 035 | _a(OCoLC)1319212457 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
||
| 050 | 4 | 
_aPN1995.9.E96 _bG87 2022  | 
|
| 072 | 7 | 
_aART015100 _2bisacsh  | 
|
| 082 | 0 | 4 | 
_a791.436110947 _223/eng/20220523  | 
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | 
_aExperimental Cinemas in State-Socialist Eastern Europe / _ced. by Sonja Simonyi, Ksenya Gurshtein.  | 
| 264 | 1 | 
_aAmsterdam :  _bAmsterdam University Press, _c[2022]  | 
|
| 264 | 4 | _c©2022 | |
| 300 | _a1 online resource (334 p.) | ||
| 336 | 
_atext _btxt _2rdacontent  | 
||
| 337 | 
_acomputer _bc _2rdamedia  | 
||
| 338 | 
_aonline resource _bcr _2rdacarrier  | 
||
| 347 | 
_atext file _bPDF _2rda  | 
||
| 490 | 0 | 
_aEastern European screen cultures ; _v4  | 
|
| 505 | 0 | 0 | 
_tFrontmatter --  _tTable of Contents -- _tAcknowledgments -- _tIntroduction -- _tPart I Key Figures -- _t1. The Experimentalism of Gábor Bódy -- _t2. Circles, Lines, and Documentary Designs : Tomislav Gotovac’s Belgrade Trilogy -- _t3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek’s and Józef Robakowski’s Cinematographic Work in the 1970s and the 1980s -- _tPart II Production, Support, and Distribution -- _t4. Amateur Cinema in Bulgaria -- _t5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski -- _t6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić -- _tPart III Viewing Contexts, Theories, and Reception -- _t7. Alone in the Cinemascope -- _t8. kinema ikon—Experiments in Motion (1970–89) -- _t9. AudioVision : Sound, Music, and Noise in East German Experimental Films -- _tPart IV Intersection of the Arts -- _t10. Intersections of Art and Film on the Wrocław Art Scene, 1970–80 -- _t11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio -- _t12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam -- _t13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia -- _tIndex  | 
| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
|
| 520 | _aWas there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | 
_aExperimental films _xHistory and criticism _zEurope, Eastern.  | 
|
| 650 | 0 | 
_aExperimental films _zEurope, Eastern _xHistory and criticism.  | 
|
| 650 | 4 | _aFilm Studies. | |
| 650 | 4 | _aFilm, Media, and Communication. | |
| 650 | 4 | _aHistory. | |
| 650 | 7 | 
_aART / History / Modern (late 19th Century to 1945). _2bisacsh  | 
|
| 653 | _aFilm studies, Experimental/avant-garde film, Eastern European cinema, Postwar film history, Cold War. | ||
| 700 | 1 | 
_aBelc, Petra _eautore  | 
|
| 700 | 1 | 
_aBošković, Aleksandar _eautore  | 
|
| 700 | 1 | 
_aCuir Jr, Greg de _eautore  | 
|
| 700 | 1 | 
_aCuir Jr., Greg _eautore  | 
|
| 700 | 1 | 
_aGelencsér, Gábor _eautore  | 
|
| 700 | 1 | 
_aGlanc, Tomáš _eautore  | 
|
| 700 | 1 | 
_aGurshtein, Ksenya _eautore _ecuratore  | 
|
| 700 | 1 | 
_aHowes, Seth _eautore  | 
|
| 700 | 1 | 
_aIliev, Vladimir _eautore  | 
|
| 700 | 1 | 
_aKuźmicz, Marika _eautore  | 
|
| 700 | 1 | 
_aLambrinova, Katerina _eautore  | 
|
| 700 | 1 | 
_aMojsak, Łukasz _eautore  | 
|
| 700 | 1 | 
_aSelejan, Ileana _eautore  | 
|
| 700 | 1 | 
_aSelejan, Ileana L. _eautore  | 
|
| 700 | 1 | 
_aShpolberg, Masha _eautore  | 
|
| 700 | 1 | 
_aSimonyi, Sonja _eautore _ecuratore  | 
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9789048532964?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9789048532964 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789048532964/original  | 
| 942 | _cEB | ||
| 999 | 
_c292217 _d292217  | 
||