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006 m|||||o||d||||||||
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008 230103t20202020ne fo d z eng d
020 _a9789048533268
_qPDF
024 7 _a10.1515/9789048533268
_2doi
035 _a(DE-B1597)9789048533268
035 _a(DE-B1597)546159
035 _a(OCoLC)1158108142
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015030
_2bisacsh
084 _aonline - DeGruyter
100 1 _aMcTighe, Sheila
_eautore
245 1 0 _aRepresenting from Life in Seventeenth-century Italy /
_cSheila McTighe.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2020]
264 4 _c©2020
300 _a1 online resource (252 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aVisual and Material Culture, 1300 –1700 ;
_v20
505 0 0 _tFrontmatter --
_tAcknowledgements --
_tTable of Contents --
_tIllustration List --
_tIntroduction: From Life --
_t1. Caravaggio’s Physiognomy --
_t2. Jacques Callot, Drawing Dal Vivo in 1620: Commerce in Florence, Piracy on the High Seas --
_t3. Jacques Callot’s Capricci di varie figure (1617): The Allusive Imagery of the Everyday, Represented ‘from Life’ and Emulating a Text --
_t4. The Motif of the Shooting Man, and Capturing the Urban Scene: Claude Lorrain and the Bamboccianti --
_t5. The absent eyewitness: the Revolt of Masaniello and depiction dal vivo in the middle of the seventeenth century --
_tConclusion --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650 0 _aArt, European
_y17th century.
650 0 _aArt, Italian
_y17th century.
650 0 _aPortrait drawing, Italian
_xHistory
_y17th century.
650 0 _aPortrait painting, Italian
_xHistory
_y17th century.
650 4 _aArt and Material Culture.
650 4 _aCultural Studies.
650 4 _aEarly Modern Studies.
650 4 _aHistory, Art History, and Archaeology.
650 7 _aART / European.
_2bisacsh
653 _aBamboccianti.
653 _aCaraavaggio.
653 _aClaude Lorrain.
653 _aJacques Callot.
653 _aad vivum.
653 _arealism.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048533268?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048533268
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048533268/original
942 _cEB
999 _c292222
_d292222