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010 _a2017453782
020 _a9789048534524
_qPDF
024 7 _a10.1515/9789048534524
_2doi
035 _a(DE-B1597)9789048534524
035 _a(DE-B1597)576221
035 _a(OCoLC)1350572555
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 0 0 _aN6953.R4
_bR446 2017
050 4 _aN6953.R4
_bR446 2017
072 7 _aART015030
_2bisacsh
082 0 4 _a759.9492
084 _aonline - DeGruyter
245 0 0 _aRembrandt and his Circle :
_bInsights and Discoveries /
_ced. by Stephanie Dickey.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2017]
264 4 _c©2017
300 _a1 online resource (420 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aAmsterdam Studies in the Dutch Golden Age
505 0 0 _tFrontmatter --
_tContents --
_tAcknowledgements --
_tIntroduction --
_t1. Rembrandt and Frans Hals Painting in the Workshop of Hendrick Uylenburgh --
_t2. Rembrandt and the Germanic Style --
_t3. Rembrandt and the Humanist Ideal of the Universal Painter --
_t4. Curiosity and Desire: Rembrandt’s Collection as Historiographic Barometer --
_t5. Painted Landscapes by Lievens and Rembrandt : The View from Seventeenth-Century Amsterdam Collections --
_t6. Jan Lievens in Antwerp: Three Rediscovered Works --
_t7. Gerrit Dou as a Pupil of Rembrandt --
_t8. A New Painting by Jan van Noordt in Budapest --
_t9. Rembrandt’s First Nude? The Recent Analysis of Susanna and the Elders from Rembrandt’s Workshop --
_t10. Rembrandt’s Head of Christ: Some Technical Observations concerning Matters of Style --
_t11. A Rediscovered Head of John the Baptist on a Platter from Rembrandt’s Studio --
_t12. Rembrandt’s One Guilder Print: Value and Invention in ‘the most beautiful [print] that ever came from the burin of this Master’ --
_t13. Rembrandt, Ferdinand Bol, and Tobit: The Emergence of a Pathosträger --
_t14. Biblical Iconography in the Graphic Work of Rembrandt’s Circle --
_t15. Jan van Vliet and Rembrandt van Rijn: Their Collaboration Reassessed --
_t16. Printmaking among Artists of the Rembrandt School --
_t17. Chain Line Pattern Matching and Rembrandt’s Prints --
_tList of Illustrations --
_tBibliography --
_tIndex Nominum
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis collection brings together art historians, museum professionals, conservators, and conservation scientists whose work involves Rembrandt van Rijn and associated artists such as Gerrit Dou, Jan Lievens, and Ferdinand Bol. The range of subjects considered is wide: from the presentation of convincing evidence that Rembrandt and his contemporary Frans Hals rubbed elbows in the Amsterdam workshop of Hendrick Uylenburgh to critical reassessments of the role of printmaking in Rembrandt's studio, his competition with Lievens as a landscape painter, his reputation as a collector, and much more. Developed from a series of international conferences devoted to charting new directions in Rembrandt research, these essays illuminate the current state of Rembrandt studies and suggest avenues for future inquiry. "Skilfully chosen and edited by Stephanie Dickey, these papers were presented at the highly successful conferences on Rembrandt and his pupils held at Herstmonceaux Castle in recent years. This is cutting-edge Rembrandt scholarship full of valuable insights and new discoveries." -- Christopher Brown, Professor of Netherlandish Art, University of Oxford "[This book] contains a wealth of fresh and lucidly argued insights, not only into Rembrandt's art, thinking and practice: notably, a significant place is reserved for such artists as Jan Lievens, Ferdinand Bol, Gerrit Dou, Johannes van Vliet and, unexpectedly, Frans Hals. In these thoughtful reflections on the artist and his milieu, the reader will find many generally accepted notions critically revised." - Eric Jan Sluijter, emeritus professor of Art History at the University of Amsterdam
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650 4 _aEarly Modern Studies.
650 4 _aHistory, Art History, and Archaeology.
650 7 _aART / European.
_2bisacsh
653 _aRembrandt, Gerrit Dou, Jan Lievens, Jan van Vliet, Ferdinand Bol, painting, printmaking, technical art history.
700 1 _aBakker, Boudewijn
_eautore
700 1 _aBijl, Martin
_eautore
700 1 _aCampbell, Angela
_eautore
700 1 _aChapman, H. Perry
_eautore
700 1 _aChristoforou, Dionysia
_eautore
700 1 _aCoelen, Peter Van Der
_eautore
700 1 _aCoutré, Jacquelyn N.
_eautore
700 1 _aDeWitt, Lloyd
_eautore
700 1 _aDickey, Stephanie
_ecuratore
700 1 _aDickey, Stephanie S.
_eautore
700 1 _aDietz, George
_eautore
700 1 _aEllis, Margaret Holben
_eautore
700 1 _aEmber, Ildikó
_eautore
700 1 _aGolahny, Amy
_eautore
700 1 _aHaqqi, Saira
_eautore
700 1 _aHeel, S.A.C. Dudok Van
_eautore
700 1 _aHinterding, Erik
_eautore
700 1 _aJohnson, C. Richard
_eautore
700 1 _aKleinert, Katja
_eautore
700 1 _aLaar, Michel Van Der
_eautore
700 1 _aLaurenze-Landsberg, Claudia
_eautore
700 1 _aLeeuwen, Idelette Van
_eautore
700 1 _aLeja, Jan L.
_eautore
700 1 _aLubbe, Jan van der
_eautore
700 1 _aOrenstein, Nadine M.
_eautore
700 1 _aRutgers, Jaco
_eautore
700 1 _aSethares, William A.
_eautore
700 1 _aSnyder, Reba
_eautore
700 1 _aWallert, Arie
_eautore
700 1 _aWeststeijn, Thijs
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048534524?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048534524
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048534524/original
942 _cEB
999 _c292237
_d292237