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| 001 | 292271 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221215003154.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 210830t20182018ne fo d z eng d | ||
| 020 | _a9789462985582 _qprint | ||
| 020 | _a9789048536733 _qPDF | ||
| 024 | 7 | _a10.1515/9789048536733 _2doi | |
| 035 | _a(DE-B1597)9789048536733 | ||
| 035 | _a(DE-B1597)502606 | ||
| 035 | _a(OCoLC)1041854234 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 072 | 7 | _aART046000 _2bisacsh | |
| 082 | 0 | 4 | _a791.4301 | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | _aAlbuquerque, Paula _eautore | |
| 245 | 1 | 4 | _aThe Webcam as an Emerging Cinematic Medium / _cPaula Albuquerque. | 
| 264 | 1 | _aAmsterdam : _bAmsterdam University Press, _c[2018] | |
| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (244 p.) : _b30 halftones | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 490 | 0 | _aFilm Culture in Transition | |
| 505 | 0 | 0 | _tFrontmatter -- _tTable of Contents -- _tAckowledgments -- _tIntroduction -- _t1. Video Surveillance versus the Affected Personal Cam -- _t2. Post-Panopticism and the Attention Economy -- _t3. From Cinematographic to Cinematic Apparatus -- _t4. Cinematic Chronotopes : The Temporality of the Cinematic Mode of Existence of the Webcams -- _t5. Webcams and the Archive -- _t6. Appropriating the Cinematic Apparatus -- _tConclusion -- _tBibliography -- _tList of Images -- _tIndex of Authors -- _tIndex of Makers -- _tIndex of Subjects / Artworks | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aAll the world's a stage-literally so, given the ubiquitous presence of webcams recording daily life in cities. This footage, allegedly documentary, recreates cities as cinematic environments as people interact with the multitudes of cameras and screens around them. Paula Albuquerque's original research and experimental films, presented in this groundbreaking book, expose fictionalizing elements in archival webcams and explore video surveillance as an urban condition that influences both perceptions of the past and visions of the future. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2021) | |
| 650 | 4 | _aArt and Material Culture. | |
| 650 | 4 | _aFilm, Media, and Communication. | |
| 650 | 4 | _aMedia Studies. | |
| 650 | 7 | _aART / Digital. _2bisacsh | |
| 653 | _aSurveillance, Cinematic, Digital Archive. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9789048536733?locatt=mode:legacy | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9789048536733 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/cover/covers/9789048536733.jpg | 
| 942 | _cEB | ||
| 999 | _c292271 _d292271 | ||