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020 _a9789048542925
_qPDF
024 7 _a10.1515/9789048542925
_2doi
035 _a(DE-B1597)9789048542925
035 _a(DE-B1597)576738
035 _a(OCoLC)1250089048
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015120
_2bisacsh
082 0 4 _a700
_223
084 _aonline - DeGruyter
245 0 4 _aThe Home, Nations and Empires, and Ephemeral Exhibition Spaces :
_b1750-1918 /
_ced. by Dominique Bauer, Camilla Murgia.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2021]
264 4 _c©2021
300 _a1 online resource (276 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aSpatial Imageries in Historical Perspective ;
_v1
505 0 0 _tFrontmatter --
_tTable of Contents --
_tIntroduction : Ephemeral Exhibition Spaces and the Dynamic of Historical Liminalities --
_tI The Home --
_t1. Panorama as Critical Restoration : Examining the Ephemeral Space of Viollet-le-Duc’s Study at La Vedette --
_t2. An Ephemeral Museum of Decorative and Industrial Arts : Charle Albert’s Vlaams Huis --
_t3. Expanding Interiors : Architectural Photographs of the Countess de Castiglione --
_tII Bygone Nations and Empires under Construction: Political Imaginations --
_t4. The Land that Never Was : Liminality of Existence and the Imaginary Spaces in the Archbishopric of Karlovci --
_t5. The Theatre of Affectionate Hearts : Izabela Czartoryska’s Musée des Monuments Polonais in Puławy (1801–1831) --
_t6. A Burning Mind, a Dream Space, a “Fantastic Exhibition” --
_tIII England and the British Empire: Civil Society, Civil Service, and Ephemeral Exhibition Spaces --
_t7. An Ephemeral Display within an Ephemeral Museum : The East India Company Contribution to the Manchester Art Treasures Exhibition of 1857 --
_t8. Julia Margaret Cameron’s Railway Station Exhibition : A Private Gallery in the Public Sphere --
_t9. Paper Monument : The Paradoxical Space in the English Paper Peepshow of the Thames Tunnel, 1825–1843 --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis book explores ephemeral exhibition spaces between 1750 and 1918. The chapters focus on two related spaces: the domestic interior and its imagery, and exhibitions and museums that display both national/imperial identity and the otherness that lurks beyond a country's borders. What is revealed is that the same tension operates in these private and public realms; namely, that between identification and self-projection, on the one hand, and alienation, otherness and objectification on the other. In uncovering this, the authors show that the self, the citizen/society and the other are realities that are constantly being asserted, defined and objectified. This takes place, they demonstrate, in a ceaseless dynamic of projection versus alienation, and intimacy versus distancing.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023)
650 0 _aEphemeral art
_xExhibitions
_xHistory.
650 4 _aArt and Material Culture.
650 4 _aCultural Studies.
650 4 _aEarly Modern Studies.
650 4 _aHistory, Art History, and Archaeology.
650 4 _aModern History.
650 7 _aART / History / Romanticism.
_2bisacsh
653 _aephemeral exhibition spaces, domestic spaces, empire, nation state, otherness.
700 1 _aBauer, Dominique
_eautore
_ecuratore
700 1 _aBrevik-Zender, Heidi
_eautore
700 1 _aKouteinikova, Inessa
_eautore
700 1 _aMencfel, Michał
_eautore
700 1 _aMurgia, Camilla
_ecuratore
700 1 _aO’Carroll, Aisling
_eautore
700 1 _aPergam, Elizabeth A.
_eautore
700 1 _aPrina, Daniela N.
_eautore
700 1 _aRosen, Jeff
_eautore
700 1 _aTodorovic, Jelena
_eautore
700 1 _aYu, Shijia
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048542925?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048542925
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048542925/original
942 _cEB
999 _c292366
_d292366