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020 _a9789048551729
_qPDF
024 7 _a10.1515/9789048551729
_2doi
035 _a(DE-B1597)9789048551729
035 _a(DE-B1597)582732
035 _a(OCoLC)1246445287
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1993.5.N4
_bV47 2021
072 7 _aART015100
_2bisacsh
082 0 4 _a791.4309492
_223
084 _aonline - DeGruyter
100 1 _aVerstraten, Peter
_eautore
245 1 0 _aDutch Post-war Fiction Film through a Lens of Psychoanalysis /
_cPeter Verstraten.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2021]
264 4 _c©2021
300 _a1 online resource (482 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aFraming Film
505 0 0 _tFrontmatter --
_tTABLE OF CONTENTS --
_tPreface --
_tIntroduction --
_tCHAPTER 1. Spitting Images, Blind Spots, and Dark Mirrors --
_tCHAPTER 2. In the Name of Fathers – Overbearing, Flying, or Otherwise --
_tCHAPTER 3. That Obscure Object of Desire --
_tCHAPTER 4. From Ordinary Men and Rabbles to Heroes --
_tCHAPTER 5. Paranoia, Psychosis, The Horrific-Fantastic --
_tCHAPTER 6. Passages à l’Acte --
_tCHAPTER 7. From Historical Discomfort to Historical Trauma --
_tCHAPTER 8. Aphanisis --
_tCHAPTER 9. Hysteria, Neurosis, Perversion --
_tEpilogue --
_tBIBLIOGRAPHY --
_tFILMOGRAPHY --
_tINDEX OF CONCEPTS --
_tINDEX OF FILMS --
_tINDEX OF NAMES
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _a"Dutch Post-war Fiction Film through a Lens of Psychoanalysis² is a sequel to Humour and Irony in Dutch Post-war Fiction Film (AUP, 2016), but the two studies can be read separately. Because of the sheer variety of Fons Rademakers's oeuvre, which spans 'art' cinema and cult, genre film and historical epics, each chapter will start with one of his titles to introduce a key concept from psychoanalysis. It is an oft-voiced claim that Dutch cinema strongly adheres to realism, but psychoanalytic theories on desire and fantasy are employed to put this idea into perspective. In the vein of cinephilia, this study brings together canonical titles (ALS TWEE DRUPPELS WATER; SOLDAAT VAN ORANJE) and little gems (MONSIEUR HAWARDEN; KRACHT). It juxtaposes among others GLUCKAUF and DE VLIEGENDE HOLLANDER (on father figures); FLANAGAN and SPOORLOOS (on rabbles and heroes); DE AANSLAG and LEEDVERMAAK (on historical traumas); ANTONIA and BLUEBIRD (on aphanisis).
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650 0 _aMotion pictures
_xHistory
_y20th century
_zNetherlands.
650 0 _aMotion pictures
_xPsychological aspects.
650 0 _aMotion pictures
_zNetherlands
_xHistory
_y20th century.
650 0 _aPsychoanalysis and motion pictures
_zNetherlands.
650 4 _aDutch and The Netherlands.
650 4 _aFilm Studies.
650 4 _aFilm, Media, and Communication.
650 4 _aFilms, cinema.
650 4 _aIndividual film directors, film-makers.
650 4 _aNetherlands.
650 4 _aPsychoanalytical and Freudian psychology.
650 4 _aPsychology.
650 4 _aTransnational and Global Studies.
650 7 _aART / History / Modern (late 19th Century to 1945).
_2bisacsh
653 _aDutch cinema - psychoanalysis (Freud, Lacan, Zizek) - cinephilia.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048551729?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048551729
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048551729/original
942 _cEB
999 _c292467
_d292467