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020 _a9789463725057
_qprint
020 _a9789048553686
_qPDF
024 7 _a10.1515/9789048553686
_2doi
035 _a(DE-B1597)9789048553686
035 _a(DE-B1597)634380
035 _a(OCoLC)1345581280
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN1992.8.P75
072 7 _aPER010000
_2bisacsh
082 0 4 _a791.4575
_223
084 _aonline - DeGruyter
100 1 _aFlamand, Lee
_eautore
245 1 0 _aAmerican Mass Incarceration and Post-Network Quality Television :
_bCaptivating Aspirations /
_cLee Flamand.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2022]
264 4 _c©2022
300 _a1 online resource (312 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tTable of Contents --
_tThe Captivating Aspirations of Post-Network Quality Television in the Age of Mass Incarceration: An Introduction --
_t1. Mass (Mediating) Incarceration --
_t2. How Does Violent Spectacle Appear as TV Realism? Sources of OZ’s Penal Imaginary --
_t3. If It’s Not TV, is It Sociology? The Wire --
_t4. Is Entertainment the New Activism? Orange Is the New Black, Women’s Imprisonment, and the Taste for Prisons --
_t5. Can Melodrama Redeem American History? Ava DuVernay’s 13th and Queen Sugar --
_tConclusion: American Politics and Prison Reform after TV’s Digital Turn --
_tBibliography --
_tAcknowledgements --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFar more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)
650 0 _aCriminal justice, Administration of
_zUnited States.
650 0 _aMass media and criminal justice
_zUnited States.
650 0 _aPrisons in mass media.
650 0 _aPrisons
_zUnited States.
650 4 _aCultural Studies.
650 4 _aFilm, Media, and Communication.
650 4 _aInterdisciplinary Studies.
650 4 _aMedia Studies.
650 4 _aRadio and Television.
650 7 _aPERFORMING ARTS / Television / General.
_2bisacsh
653 _aPost-Network Television, Mass Incarceration, Race, Prison, New Golden Age of TV.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048553686?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048553686
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048553686/original
942 _cEB
999 _c292516
_d292516