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020 _a9789048554621
_qPDF
024 7 _a10.1515/9789048554621
_2doi
035 _a(DE-B1597)9789048554621
035 _a(DE-B1597)633116
035 _a(OCoLC)1346297852
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015030
_2bisacsh
084 _aonline - DeGruyter
100 1 _aWarr, Cordelia
_eautore
245 1 0 _aStigmatics and Visual Culture in Late Medieval and Early Modern Italy /
_cCordelia Warr.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2022]
264 4 _c©2022
300 _a1 online resource (316 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aVisual and Material Culture, 1300 –1700 ;
_v38
505 0 0 _tFrontmatter --
_tVisual and Material Culture, 1300-1700 --
_tTable of Contents --
_tAcknowledgements --
_tList of Illustrations --
_t1. Introduction: Stigmata and Visual Culture --
_t2. Saint Francis of Assisi as Image --
_t3. Representing the Invisible: Saint Catherine of Siena’s Stigmatization --
_t4. The Stigmatic Spectrum and the Visual Arts --
_t5. Gregorio Lombardelli, Invisibility, and the Representation of Saint Catherine of Siena’s Stigmata --
_t6. Performing Stigmata --
_t7. Painting, Printing, Sculpting, Forgery (and Washing) --
_t8. Conclusion: The Timidity of the Visual Arts --
_tComplete Bibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis book places the discourse surrounding stigmata within the visual culture of the late medieval and early modern periods, with a particular focus on Italy and on female stigmatics. Echoing, and to a certain extent recreating, the wounds and pain inflicted on Christ during his passion, stigmata stimulated controversy. Related to this were issues that were deeply rooted in contemporary visual culture such as how stigmata were described and performed and whether, or how, it was legitimate to represent stigmata in visual art. Because of the contested nature of stigmata and because stigmata did not always manifest in the same form - sometimes invisible, sometimes visible only periodically, sometimes miraculous, and sometimes self-inflicted - they provoked complex questions and reflections relating to the nature and purpose of visual representation. Dr Cordelia Warr is Senior Lecturer in Art History, University of Manchester, UK.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Mai 2023)
650 4 _aArt and Material Culture.
650 4 _aEarly Modern Studies.
650 4 _aGender and Sexuality Studies.
650 4 _aHistory, Art History, and Archaeology.
650 7 _aART / European.
_2bisacsh
653 _astigmata, visual culture, Italy, women, wounds.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048554621?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048554621
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048554621/original
942 _cEB
999 _c292538
_d292538