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| 001 | 292806 | ||
| 003 | IT-RoAPU | ||
| 005 | 20230501184755.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 230328t19981998hu fo d z eng d | ||
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_a9789633865583 _qPDF |
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| 024 | 7 |
_a10.1515/9789633865583 _2doi |
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| 035 | _a(DE-B1597)9789633865583 | ||
| 035 | _a(DE-B1597)633326 | ||
| 035 | _a(OCoLC)1338018881 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPC803.7.C46 _bV53 1998 |
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| 072 | 7 |
_aPOL039000 _2bisacsh |
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| 082 | 0 | 4 |
_a859.090034 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aVianu, Lidia _eautore |
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| 245 | 1 | 0 |
_aCensorship in Romania / _cLidia Vianu. |
| 264 | 1 |
_aBudapest ; _aNew York : _bCentral European University Press, _c[1998] |
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| 264 | 4 | _c©1998 | |
| 300 | _a1 online resource (245 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tGeorge Macovescu -- _tMaria Banuş -- _tIon Negoiţescu -- _tVera Cãlin -- _tŞtefan Augustin Doinaș -- _tNina Cassian -- _tPetre Ghelmez -- _tEugen Simion -- _tMatei Calinescu -- _tIon Vianu -- _tDumitru Radu Popescu -- _tMarin Sorescu -- _tIleana Mãlãncioiu -- _tVirgil N emoianu -- _tMircea Martin -- _tMihai Ursachi -- _tAna Blandiana -- _tNicolae Prelipceanu -- _tLucia Negoitã -- _tAdriana Bittel -- _tDan Verona -- _tMir c e a Dinescu -- _tDaniela Crãsnaru -- _tDenisa Comãnescu -- _tFlorin Bican -- _tSimona Popescu -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThrough a series of interviews with prominent Romanian literary figures and a select presentation of their writings, Lidia Vianu asks how, under communism, did Romanian writers cope with constant ideological shifts and, in turn, respond to the censorship that so often accompanied such changes? Now that Romania has emerged from almost fifty years of Communist rule, what is the current status of censorship? These writers are important because, though working under the terror of communism, they dared to put their thoughts into writing, remaining true to their craft, and, in some instances, even arranging for publication. Vianu has chosen a series of subversive writings that not only indicted communism but were also widely embraced by the Romanian public. The author continues to argue that after the fall of communism and the disappearance of subversive literature, the Romanian public started to devour works of translation. A somewhat different form of censorship arose: state-sponsored censorship was replaced by what Vianu terms a crisis of native writing. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Mrz 2023) | |
| 650 | 0 |
_aAuthors, Romanian _vInterviews. |
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| 650 | 0 |
_aCensorship _zRomania. |
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| 650 | 0 |
_aCommunism and literature _zRomania. |
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| 650 | 0 |
_aLiterature and society _zRomania. |
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| 650 | 0 |
_aPolitics and literature _zRomania. |
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| 650 | 0 |
_aRomanian literature _y20th century _xCensorship. |
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| 650 | 7 |
_aPOLITICAL SCIENCE / Censorship. _2bisacsh |
|
| 700 | 1 |
_aVianu, Lidia _eautore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9789633865583?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9789633865583 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9789633865583/original |
| 942 | _cEB | ||
| 999 |
_c292806 _d292806 |
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