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008			230918t20212021nyu fo d z eng d
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020			_a9780231553483 _qPDF
024	7		_a10.7312/heis20018 _2doi
035			_a(DE-B1597)9780231553483
035			_a(DE-B1597)650100
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPS374.D4 _bH45 2022
050		4	_aPS374.D4
072		7	_aLIT004230 _2bisacsh
082	0	4	_a813/.0872093587471043 _223
084			_aonline - DeGruyter
100	1		_aHeise, Thomas _eautore
245	1	4	_aThe Gentrification Plot : _bNew York and the Postindustrial Crime Novel / / _cThomas Heise.
264		1	_aNew York, NY : : _bColumbia University Press, _c[2021]
264		4	_c©2021
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aLiterature Now
505	0	0	_tFrontmatter -- _tCONTENTS -- _tIntroduction. Death and Life in Postindustrial New York -- _tChapter One. The Lower East Side: Cops, Culture, and the Creative Class -- _tChapter Two. Chinatown: Policing the Ethnic Enclave -- _tChapter Three. Red Hook: Blood on the Industrial Waterfront -- _tChapter Four. Harlem: Uptown Dead Zones -- _tChapter Five. Bedford- Stuyvesant: White Boys in the Hood -- _tEpilogue. Escape from New York -- _tACKNOWLEDGMENTS -- _tNOTES -- _tBIBLIOGRAPHY -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFor decades, crime novelists have set their stories in New York City, a place long famed for decay, danger, and intrigue. What happens when the mean streets of the city are no longer quite so mean? In the wake of an unprecedented drop in crime in the 1990s and the real-estate development boom in the early 2000s, a new suspect is on the scene: gentrification. Thomas Heise identifies and investigates the emerging "gentrification plot" in contemporary crime fiction. He considers recent novels that depict the sweeping transformations of five iconic neighborhoods-the Lower East Side, Chinatown, Red Hook, Harlem, and Bedford-Stuyvesant-that have been central to African American, Latinx, immigrant, and blue-collar life in the city. Heise reads works by Richard Price, Henry Chang, Gabriel Cohen, Reggie Nadelson, Ivy Pochoda, Grace Edwards, Ernesto Quiñonez, Wil Medearis, and Brian Platzer, tracking their representations of "broken-windows" policing, cultural erasure, racial conflict, class grievance, and displacement. Placing their novels in conversation with oral histories, urban planning, and policing theory, he explores crime fiction's contradictory and ambivalent portrayals of the postindustrial city's dizzying metamorphoses while underscoring the material conditions of the genre. A timely and powerful book, The Gentrification Plot reveals how today's crime writers narrate the death-or murder-of a place and a way of life.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 18. Sep 2023)
650		0	_aAmerican fiction _y21st century _xHistory and criticism.
650		0	_aDetective and mystery stories, American _xHistory and criticism.
650		0	_aGentrification in literature.
650		4	_aLITERARY CRITICISM / Mystery & Detective _2sh.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7312/heis20018
856	4	0	_uhttps://www.degruyter.com/isbn/9780231553483
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780231553483/original
942			_cEB
999			_c295072 _d295072