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001			295589
003			IT-RoAPU
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008			230228t20072007pau fo d z eng d
020			_a9780271093505 _qPDF
024	7		_a10.1515/9780271093505 _2doi
035			_a(DE-B1597)9780271093505
035			_a(DE-B1597)642534
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aPER004030 _2bisacsh
084			_aonline - DeGruyter
100	1		_aLeab, Daniel J. _eautore
245	1	0	_aOrwell Subverted : _bThe CIA and the Filming of Animal Farm / _cDaniel J. Leab.
264		1	_aUniversity Park, PA : _bPenn State University Press, _c[2007]
264		4	_c©2007
300			_a1 online resource (232 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tFOREWORD -- _tPREFACE -- _tACKNOWLEDGMENTS -- _t1 ORWELL AND ANIMAL FARM -- _t2 OPC, THE SPONSORING AGENCY -- _t3 THE PRODUCER, LOUIS DE ROCHEMONT -- _t4 GENESIS, AND GETTING RIGHT WITH SONIA ORWELL -- _t5 THE ANIMATORS, HALAS & BATCHELOR -- _t6 CREATING ANIMAL FARM, THE MOVIE -- _t7 ENVISIONING A POLITICALLY CORRECT FILM VERSION OF ANIMAL FARM -- _t8 THE POLITICS OF FILMING ANIMAL FARM -- _t9 FINALIZING A POLITICALLY CORRECT FILM VERSION OF ANIMAL FARM -- _t10 RECEPTION OF THE FILM -- _t11 THE AFTERLIFE OF THE FILM AND ITS CREATORS -- _t12 PROPAGANDA AND PROPAGANDISTS -- _tNOTES -- _tSELECT BIBLIOGRAPHY -- _tINDEX
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aSince its release in 1954, scholars have been aware of the Central Intelligence Agency’s involvement in the making of the controversial animated motion picture adaptation of George Orwell’s Animal Farm. In Orwell Subverted, Daniel Leab gives an authoritative and well-documented account of the CIA’s powerful influence on the film.Recently, a number of works have been written—notably, those by Frances Stoner Saunders and Tony Shaw—that make reference to the underlying governmental control surrounding Animal Farm. Yet there is still much speculation and confusion as to the depth of the CIA’s interference. Leab continues where these authors left off, exploring the CIA’s dominant hand through extensive research and by giving fascinating details of the agency’s overt and subtle influences on the making of the film. Leab’s thorough investigating makes use of sources that have been excluded in past accounts, such as CIA papers retrieved through the Freedom of Information Act and material from the Orwell Archive. He also incorporates the testimonials of animators John Halas and Joy Batchelor and, most significantly, the previously unexplored archive documents of Animal Farm producer Louis de Rochemont.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650		7	_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh
653			_aAnimal Farm.
653			_aCIA Conspiracy Theory Film.
653			_aCensorship 1954 1950s.
653			_aFrances Stoner Saunders.
653			_aGeorge Orwell.
653			_aJohn Halas.
653			_aJoy Batchelor.
653			_aLouis de Rochemont.
653			_aTony Shaw.
653			_aadaptation.
653			_afilms Government intervention.
653			_amotion picture.
653			_aof films Daniel Leab.
700	1		_aDavison, Peter _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780271093505
856	4	0	_uhttps://www.degruyter.com/isbn/9780271093505
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780271093505/original
942			_cEB
999			_c295589 _d295589