| 000 | 03138nam a2200493Ia 4500 | ||
|---|---|---|---|
| 001 | 295666 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211163217.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20201993nyu fo d z eng d | ||
| 020 |
_a9780814712047 _qprint |
||
| 020 |
_a9780814723470 _qPDF |
||
| 024 | 7 |
_a10.18574/nyu/9780814723470.001.0001 _2doi |
|
| 035 | _a(DE-B1597)9780814723470 | ||
| 035 | _a(DE-B1597)550575 | ||
| 035 | _a(OCoLC)906969385 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aRC506 _b.B64 1993eb |
|
| 072 | 7 |
_aPSY000000 _2bisacsh |
|
| 082 | 0 | 4 |
_a150.19/5 _220 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBoris, Harold N. _eautore |
|
| 245 | 1 | 0 |
_aPassions of the Mind : _bUnheard Melodies: a Third Principle of Mental Functioning / _cHarold N. Boris. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2020] |
|
| 264 | 4 | _c©1993 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aAs social animals, each of us can only be partly understood through insights into our individual psychodynamics. There is, within us, another principle at work: to preserve the group, even at the expense of the individual. In this innovative synthesis of classical psychoanalysis and recent interpersonal and object relations psychology, Harold N. Boris constructs a necessary bridge between individual psychodynamics and group dynamics. This bridge rests upon two, complementary foundations: the egoistically- defined pleasure principle of The Couple and the socially defined selection principle of The Pair. Unheard Melodies shows how these two states of mind often compete, each being a distinct mental state seeking its own objectives. When analyzed, both mental states reveal their own characteristic themes and feelings, presences and absences, all of which are intertwined in the unique, patterned music of psychoanalysis. To demonstrate the patterning of these mental states, Boris presents the transcription of a composite analysis, an astonishing documentation of his own clinical experience, showing The Couple and The Pair playing together in the analytic setting. These clinical transcripts, complete with commentary, provide rare glimpses into the psychoanalytic process that will interest psychoanalysts, sociologists, and casual students of the mind and society. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aPsychoanalysis _xPhilosophy. |
|
| 650 | 0 | _aSociobiology. | |
| 650 | 7 |
_aPSYCHOLOGY / General. _2bisacsh |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780814723470 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780814723470/original |
| 942 | _cEB | ||
| 999 |
_c295666 _d295666 |
||