000			03322nam a22005055i 4500
001			296201
003			IT-RoAPU
005			20230501182500.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			230228t20152015nyu fo d z eng d
020			_a9781942242734 _qPDF
024	7		_a10.1515/9781942242734 _2doi
035			_a(DE-B1597)9781942242734
035			_a(DE-B1597)638140
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPL992.18.S7 _bA2 2015
072		7	_aPOE009000 _2bisacsh
082	0	4	_a895.7 _223
084			_aonline - DeGruyter
100	1		_aChoi, Seung-Ja _eautore
245	1	0	_aPortrait of a Suburbanite : _bPoems of Choi Seung-ja / _cSeung-Ja Choi.
264		1	_aIthaca, NY : _bCornell University Press, _c[2015]
264		4	_c©2015
300			_a1 online resource (224 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tBIOGRAPHICAL CHRONOLOGY -- _tINTRODUCTION -- _tI LOVE OF THIS AGE -- _tII HOUSE OF MEMORY -- _tIII UNREADY TO FORGET OR READY TO REMEMBER
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThis volume is a translation of Choi Seung-ja's 1991 anthology titled Portrait of a Suburbanite. Published in the series of "100 Prominent Korean Poets" by Mirae Press, the poems in this volume were selected from four of Choi's previous works titled, Love of This Age (1981), Merry Diary (1984), House of Memory (1989), and the subsequently published My Tomb, Green (1993). Speaking with a fierce sense of equality and independence, Choi Seung-ja's poetry battled ossified forms of language not only on the political but also the personal front. Like her male colleagues, Choi parodied and critiqued the idol of the father, but even further, she insightfully explored irreverent content to reveal the gendered constraints of the lyric form. In particular, Choi exposed the idolatrous power of the lover, the basis of exploitation and injustice at the most intimate level. On top of their political disempowerment as citizens, the private and domestic alienation of women as daughters, lovers, and wives form a deep stratum of repression. When Choi's women personae broke this long silence of compliance nurtured by the traditional lyric and voiced themselves as exploited and traumatized, yet fearless and tenacious human beings, the shock of this transgression shook the nation. In turn it demonstrate how long and how powerfully the gender constrictions had been imposed on Korean women.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 28. Feb 2023)
650		0	_aKorean poetry _y20th century.
650		4	_aPoetry & Criticism.
650		7	_aPOETRY / Asian / General. _2bisacsh
700	1		_aKim, Eunju _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781942242734
856	4	0	_uhttps://www.degruyter.com/isbn/9781942242734
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781942242734/original
942			_cEB
999			_c296201 _d296201