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_dOCLCQ
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_dK6U
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019 _a1037808664
_a1039319374
020 _a9781474424752
_q(electronic bk.)
020 _a1474424759
_q(electronic bk.)
020 _z1474424740
020 _z9781474424745
035 _a(OCoLC)1037351943
_z(OCoLC)1037808664
_z(OCoLC)1039319374
037 _a22573/ctv2f39287
_bJSTOR
050 4 _aPN56.S7357
072 7 _aLIT
_x000000
_2bisacsh
072 7 _aTRV
_x026090
_2bisacsh
072 7 _aLIT
_x004120
_2bisacsh
082 0 4 _a808.036
_223
084 _aonline - EBSCO
084 _aEC 4500
_0(DE-625)rvk/20562:
245 0 4 _aThe Edinburgh companion to contemporary narrative theories /
_cedited by Zara Dinnen, Robyn Warhol.
246 3 _aContemporary narrative theories
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c2018.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
520 8 _aA collection of original essays establishing how wide the intellectual boundaries of narrative theory have become, the Edinburgh Companion to Narrative Theories showcases the latest approaches to diverse narratives across many media and in numerous disciplines. The book brings founders of the field of post-classical narrative theory together with established scholars who have made significant changes in the understanding of narrative and younger scholars who are putting narrative theories to use on new media forms and new literatures. This is the first anthology to consider what narrative is and what it can do in the wake of various turns in literary studies (the affective, the posthuman, the cognitive) which have been emerging in the context of digital media and algorithmic capital. Narrative genres persist, and they continue to do vital work in the world. Narrative theories provide the vocabulary for talking about how that work gets done.
588 0 _aPrint version record.
505 0 0 _gMachine generated contents note:
_g1.
_tWhat Does It Mean to Be Mad? Diagnosis, Narrative, Science, and the DSM /
_rZara Dinnen /
_rRobyn Warhol --
_g2.
_tNonhuman in Mind: Narrative Challenges to Folk Psychology /
_rH. Porter Abbott --
_g3.
_tNarrative and the Embodied Reader /
_rMarco Caracciolo --
_g4.
_tFully Extended Mind /
_rSuzanne Keen --
_g5.
_tSense-Making and Wonder: An Enactive Approach to Narrative Form in Speculative Fiction /
_rKarin Kukkonen --
_g6.
_tCosmopolitanism, Controversy, and Collectivity: Zadie Smith's Networked Narration /
_rMerja Polvinen --
_g7.
_tRace and Empathy in GB Tran's Vietnamerica /
_rClaudia Breger --
_g8.
_tTill Death Do Us Part: Embodying Narratology /
_rSue J. Kim --
_g9.
_tDigital Intimacies and Queer Narratives /
_rSusan S. Lanser --
_g10.
_tCinema of the Impossible: Queer Theory and Narrative /
_rSam McBean --
_g11.
_tCinema and the Unnarratability of Computation /
_rValerie Rohy --
_g12.
_tPlotting the Loop: Videogames and Narratability /
_rZara Dinnen --
_g13.
_tSerial as Digital Constellation: Fluid Textuality and Semiotic Otherness in the Podcast Narrative /
_rRob Gallagher --
_g14.
_tUI Time and the Digital Event /
_rEllen McCracken --
_g15.
_tContinued Comics: The New 'Blake and Mortimer' as an Example of Continuation in European Series /
_rDaniel Punday --
_g16.
_tOperational Seriality and the Operation of Seriality /
_rJan Baetens /
_rHugo Frey --
_g17.
_tCloser Than They Seem: Graphic Narrative and the Senses /
_rJason Mittell --
_g18.
_tEpisode Five, or, When Does a Narrative Become What It Is? /
_rKatalin Orban --
_g19.
_tMedia Theory as Narrative Theory: Film Narration as a Case Study /
_rSean O'Sullivan --
_g20.
_tDigital Fiction and Unnatural Narrative /
_rChristian Quendler --
_g21.
_tLyric Poetry as Anti-Mimetic Bridging in Narratives and Motion Pictures: A Case Study of Affective Response to Christopher Nolan's Interstellar (2014) /
_rAstrid Ensslin /
_rAlice Bell --
_g22.
_tSpeculative Fiction, or, Literal Narratology /
_rStefan Kjerkegaard --
_g23.
_tUnnatural Endings in Fiction and Drama /
_rBrian McHale --
_g24.
_tNarrative and the Necessity of Contingency /
_rBrian Richardson --
_g25.
_tLocal Nonfictionality within Generic Fiction: Huntington's Disease in McEwan's Saturday and Genova's Inside the O'Briens /
_rMark Currie --
_g26.
_tStory of the Law /
_rJames Phelan --
_g27.
_tCentre for Narrative Gravity: Narrative and the Philosophy of Selfhood after Dennett /
_rRuth Ronen --
_g28.
_tBody as Medium: A Phenomenological Approach to the Production of Affect in Narrative /
_rRichard Walsh.
650 0 _aStorytelling in literature.
_0http://id.loc.gov/authorities/subjects/sh94008817
650 0 _aNarration (Rhetoric)
_0http://id.loc.gov/authorities/subjects/sh85089833
650 6 _aArt de conter dans la littérature.
650 6 _aNarration.
650 7 _aLITERARY CRITICISM
_xGeneral.
_2bisacsh
650 7 _aTRAVEL
_xSpecial Interest
_xLiterary.
_2bisacsh
650 7 _aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh
_2bisacsh
650 7 _aNarration (Rhetoric)
_2fast
650 7 _aStorytelling in literature
_2fast
776 0 8 _iPrint version:
_tEDINBURGH COMPANION TO CONTEMPORARY NARRATIVE THEORIES.
_d[Place of publication not identified] : EDINBURGH UNIV PRESS, 2018
_z1474424740
_w(OCoLC)1012760830
850 _aIT-RoAPU
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1815024
942 _cEB
999 _c297646
_d297646