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006 m o d
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008 210105s2021 cau ob 001 0 eng
010 _a2021000147
040 _aDLC
_beng
_erda
_epn
_cDLC
_dOCLCO
_dOCLCF
_dYDX
_dN$T
_dYDX
_dOCLCQ
_dOCLCO
_dOCLCQ
_dOCLCO
_dQGK
020 _a9781503629271
_q(electronic book)
020 _a1503629279
_q(electronic book)
020 _z9781503628847
_q(hardcover)
020 _z9781503629264
_q(paperback)
029 1 _aAU@
_b000068552490
029 1 _aAU@
_b000073180798
035 _a(OCoLC)1232011631
042 _apcc
050 0 4 _aBX4700.H5
_bM37 2021
082 0 0 _a261.8/8
_223
084 _aonline - EBSCO
100 1 _aMarder, Michael,
_d1980-
_eautore
_0http://id.loc.gov/authorities/names/no2009024308
245 1 0 _aGreen mass :
_bthe ecological theology of St. Hildegard of Bingen /
_cMichael Marder.
264 1 _aStanford, California :
_bStanford University Press,
_c[2021]
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
504 _aIncludes bibliographical references and index.
505 0 _aForeword : Phytophonies : echoes of Hildegard of Bingen today / by Marcia Sá Cavalcante Schuback -- Prelude -- Verges -- Analogies -- Resonances -- Missives -- Ardencies -- Anarchies -- Kisses -- Postlude -- Afterword : composer's notes / by Peter Schuback
520 _a""Green Mass" is a meditation on-and with-twelfth-century Christian mystic and polymath Saint Hildegard of Bingen. Attending to Hildegard's vegetal vision, which greens theological tradition and imbues plant life with spirit, philosopher Michael Marder uncovers a verdant mode of thinking. The ensuing work stages a fresh encounter between present-day and pre-modern concerns, ecology and theology, philosophy and mysticism, the material and the spiritual, in word and sound. Hildegard's lush notion of "viriditas," the vegetal power of creation, is emblematic of her deeply entwined understanding of physical reality and spiritual elevation. From blossoming flora to burning desert, Marder plays with the symphonic multiplicity of meanings in her thought, listening to the resonances between the ardency of holy fire and the aridity of a world aflame. Across Hildegard's cosmos, we hear the anarchic proliferation of her ecological theology, in which both God and greening are circular, without beginning or end. Accompanied by Peter Schuback's musical movements, which echo both Hildegard's own compositions and key themes in each chapter of the book, this multifaceted work creates a resonance chamber, in which to discover a radical vision of the living world anew"--
_cProvided by publisher
588 0 _aOnline resource; title from digital title page (viewed on August 19, 2021).
600 0 7 _aHildegardis Bingensis,
_csanta,
_d1098-1179
_2sbaa
_1http://viaf.org/viaf/87772061
_924491
600 0 7 _aHildegard,
_cSaint,
_d1098-1179
_2fast
650 0 _aEcotheology.
_0http://id.loc.gov/authorities/subjects/sh2008002852
650 6 _aÉcothéologie.
650 7 _aEcotheology
_2fast
653 _aCatholic history.
653 _aSaint Hildegard of Bingen.
653 _aTheology.
653 _acosmology.
653 _adivinity.
653 _aecology.
653 _aplants.
653 _aviriditas.
700 1 _aSchuback, Marcia Sá Cavalcante,
_eautore di prefazione
700 1 _aSchuback, Peter,
_d1947-
_ecompositore
_0http://id.loc.gov/authorities/names/n82007892
776 0 8 _iPrint version:
_aMarder, Michael, 1980-
_tGreen mass.
_dStanford, California : Stanford University Press, 2021
_z9781503628847
_w(DLC) 2021000146
850 _aIT-RoAPU
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=2956818
942 _cEB
999 _c297973
_d297973