| 000 | 05752nam a22013695i 4500 | ||
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| 001 | 299940 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150402.0 | ||
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| 008 | 240826t20232017nju fo d z eng d | ||
| 020 |
_a9780691251370 _qPDF |
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| 024 | 7 |
_a10.1515/9780691251370 _2doi |
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| 035 | _a(DE-B1597)9780691251370 | ||
| 035 | _a(DE-B1597)664266 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aBF789.C7 | |
| 072 | 7 |
_aART015000 _2bisacsh |
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| 082 | 0 | 4 |
_a155.9/1145 _223/eng/20230620 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPastoureau, Michel _eautore |
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| 245 | 1 | 0 |
_aRed : _bThe History of a Color / _cMichel Pastoureau. |
| 264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2023] |
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| 264 | 4 | _c2017 | |
| 300 |
_a1 online resource (216 p.) : _b112 color illus. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _tTHE FIRST COLOR -- _tTHE FAVORITE COLOR -- _tA CONTROVERSIAL COLOR -- _tA DANGEROUS COLOR? -- _tNotes -- _tBibliography -- _tPhotography Credits -- _tAcknowledgments |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aA beautifully illustrated visual and cultural history of the color red throughout the agesThe color red has represented many things, from the life force and the divine to love, lust, and anger. Up through the Middle Ages, red held a place of privilege in the Western world. For many cultures, red was not just one color of many but rather the only color worthy enough to be used for social purposes. In some languages, the word for red was the same as the word for color. The first color developed for painting and dying, red became associated in antiquity with war, wealth, and power. In the medieval period, red held both religious significance, as the color of the blood of Christ and the fires of Hell, and secular meaning, as a symbol of love, glory, and beauty. Yet during the Protestant Reformation, red began to decline in status. Viewed as indecent and immoral and linked to luxury and the excesses of the Catholic Church, red fell out of favor. After the French Revolution, red gained new respect as the color of progressive movements and radical left-wing politics.In this beautifully illustrated book, Michel Pastoureau, the acclaimed author of Blue, Black, and Green, now masterfully navigates centuries of symbolism and complex meanings to present the fascinating and sometimes controversial history of the color red. Pastoureau illuminates red's evolution through a diverse selection of captivating images, including the cave paintings of Lascaux, the works of Renaissance masters, and the modern paintings and stained glass of Mark Rothko and Josef Albers. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 |
_aColor _xPsychological aspects _xHistory. |
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| 650 | 0 |
_aColor _xSocial aspects _xHistory. |
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| 650 | 0 | _aRed in art. | |
| 650 | 0 | _aRed. | |
| 650 | 0 |
_aSymbolism of colors _xHistory. |
|
| 650 | 7 |
_aART / History / General. _2bisacsh |
|
| 653 | _aAnthony van Dyck. | ||
| 653 | _aAthanasius Kircher. | ||
| 653 | _aBestiary. | ||
| 653 | _aBlason. | ||
| 653 | _aBrought to Light. | ||
| 653 | _aCassone. | ||
| 653 | _aChaperon (headgear). | ||
| 653 | _aCharles the Bald. | ||
| 653 | _aChurch Fathers. | ||
| 653 | _aCinnabar. | ||
| 653 | _aClassical Latin. | ||
| 653 | _aClothing. | ||
| 653 | _aCoat of arms. | ||
| 653 | _aCochineal. | ||
| 653 | _aCosmetics. | ||
| 653 | _aCouleur. | ||
| 653 | _aCouncil of Constance. | ||
| 653 | _aDionysus. | ||
| 653 | _aDyeing. | ||
| 653 | _aEarly modern period. | ||
| 653 | _aEinhard. | ||
| 653 | _aEmblem. | ||
| 653 | _aEnjolras. | ||
| 653 | _aEtymology. | ||
| 653 | _aFlemish painting. | ||
| 653 | _aGeorges de La Tour. | ||
| 653 | _aGiovanni Arnolfini. | ||
| 653 | _aGood and evil. | ||
| 653 | _aGrisaille. | ||
| 653 | _aHebrews. | ||
| 653 | _aHematite. | ||
| 653 | _aHeraldry. | ||
| 653 | _aHieronymus Bosch. | ||
| 653 | _aHussites. | ||
| 653 | _aIconography. | ||
| 653 | _aInvidia. | ||
| 653 | _aJacques Fabien Gautier d'Agoty. | ||
| 653 | _aKees van Dongen. | ||
| 653 | _aLacquer. | ||
| 653 | _aLittle Red Riding Hood. | ||
| 653 | _aLucas Cranach the Elder. | ||
| 653 | _aMaurice Quentin de La Tour. | ||
| 653 | _aMiddle French. | ||
| 653 | _aMinium (pigment). | ||
| 653 | _aMithraism. | ||
| 653 | _aMuseo del Prado. | ||
| 653 | _aNatural History (Pliny). | ||
| 653 | _aOn the Eve. | ||
| 653 | _aOrcein. | ||
| 653 | _aOtto Dix. | ||
| 653 | _aPaul Klee. | ||
| 653 | _aPersecution. | ||
| 653 | _aPhrygian cap. | ||
| 653 | _aPigment. | ||
| 653 | _aPolitique. | ||
| 653 | _aPope Leo III. | ||
| 653 | _aProstitution. | ||
| 653 | _aRed Army Faction. | ||
| 653 | _aRed hair. | ||
| 653 | _aReynard. | ||
| 653 | _aRidicule. | ||
| 653 | _aRoman de Fauvel. | ||
| 653 | _aSuetonius. | ||
| 653 | _aSumptuary law. | ||
| 653 | _aSymbolic power. | ||
| 653 | _aTalc. | ||
| 653 | _aThe Other Hand. | ||
| 653 | _aVestment. | ||
| 653 | _aVictor Hugo. | ||
| 653 | _aVinegar. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691251370?locatt=mode:legacy |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691251370 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691251370/original |
| 942 | _cEB | ||
| 999 |
_c299940 _d299940 |
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