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001 | 299953 | ||
003 | IT-RoAPU | ||
005 | 20240316185245.0 | ||
006 | m|||||o||d|||||||| | ||
007 | cr || |||||||| | ||
008 | 240307t20231976nju fo d z eng d | ||
020 |
_a9780691252155 _qPDF |
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024 | 7 |
_a10.1515/9780691252155 _2doi |
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035 | _a(DE-B1597)9780691252155 | ||
035 | _a(DE-B1597)666240 | ||
035 | _a(OCoLC)1405433337 | ||
040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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072 | 7 |
_aART009000 _2bisacsh |
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082 | 0 | 4 | _a701/.1/8 |
084 | _aonline - DeGruyter | ||
100 | 1 |
_aRosenberg, Jakob _eautore |
|
245 | 1 | 0 |
_aOn Quality in Art : _bCriteria of Excellence, Past and Present / _cJakob Rosenberg. |
264 | 1 |
_aPrinceton, NJ : _bPrinceton University Press, _c[2023] |
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264 | 4 | _c©1976 | |
300 |
_a1 online resource (288 p.) : _b168 b/w illus. |
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336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_atext file _bPDF _2rda |
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490 | 0 |
_aThe A. W. Mellon Lectures in the Fine Arts ; _v35 |
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505 | 0 | 0 |
_tFrontmatter -- _tTABLE OF CONTENTS -- _tLIST OF ILLUSTRATIONS -- _tACKNOWLEDGMENTS -- _tINTRODUCTION -- _tQUALITY JUDGMENT IN THE PAST -- _tI The Sixteenth Century -- _tII The Seventeenth Century -- _tIII The Eighteenth Century -- _tIV The Nineteenth Century -- _tV The Early Twentieth Century -- _tCONCLUSIONS -- _tQUALITY JUDGMENT TODAY -- _tVI Master Drawings of the Fifteenth and Sixteenth Centuries -- _tVII Master Drawings of the Seventeenth to Nineteenth Century -- _tVIII Master Drawings and Prints of the Twentieth Century -- _tCONCLUSIONS -- _tNOTES -- _tAPPENDIXES -- _tI: Roger de Piles -- _tII: Theophile Thore -- _tINDEX |
506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
520 | _aAn acclaimed art historian explains how to identify excellence in artIn this book, Jakob Rosenberg takes up the timeless problem of how to make a valid judgment about artistic quality. In his search for criteria of excellence in art, Rosenberg examines both the achievements and failures of other critics from the Renaissance to modern times, including Giorgio Vasari, Roger de Piles, Sir Joshua Reynolds, Théophile Thoré, and Roger Fry. Drawing vital lessons from these critics’ writings, Rosenberg charts an effective approach to the challenges of judging quality in works of art by analyzing master drawings from the fifteenth to twentieth centuries and comparing them with examples of followers or minor contemporaries. The result is a set of practical criteria that are applicable across diverse periods and styles. Brimming with insights from a legendary art critic and historian, On Quality in Art sheds invaluable light on drawings by artists ranging from Dürer, Raphael, Leonardo, Rubens, Rembrandt, Watteau, Degas, and van Gogh to Matisse, Picasso, and Marin. | ||
538 | _aMode of access: Internet via World Wide Web. | ||
546 | _aIn English. | ||
588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Mrz 2024) | |
650 | 0 | _aArt criticism. | |
650 | 0 | _aDrawing. | |
650 | 7 |
_aART / Criticism. _2bisacsh |
|
653 | _a. | ||
653 | _aAlpers, Svetlana Leontief. | ||
653 | _aApelles. | ||
653 | _aApollo Belvedere (Vatican), *12. | ||
653 | _aBelvedere Torso (Vatican). | ||
653 | _aCimabue. | ||
653 | _aCompany of Captain Bicker (Amsterdam). | ||
653 | _aCézanne: Compotier, verre et pommes. | ||
653 | _aFrancia, Francesco. | ||
653 | _aGere, J.A. | ||
653 | _aGiotto. | ||
653 | _aHelst, Bartholomeus van der. | ||
653 | _aLaocoön (Vatican). | ||
653 | _aLippi, Fra Filippo. | ||
653 | _aMatisse: Nude in an Armchair. | ||
653 | _aMedici Venus (Florence), *13. | ||
653 | _aMichelangelo. | ||
653 | _aMountain Landscape (Cambridge, Mass.). | ||
653 | _aMüller-Hofstede, Justus. | ||
653 | _aNight Watch (Amsterdam). | ||
653 | _aPollaiuolo, Antonio del. | ||
653 | _aPool Overhung with Foliage (Les Reflets dans l'eau) (New York). | ||
653 | _aPouncey, Philip. | ||
653 | _aRaphael. | ||
653 | _aSchlosser, Julius von. | ||
653 | _aSchongauer: Head of an Oriental. | ||
653 | _aUffizi Gallery. | ||
653 | _aValadon: Nude Reclining. | ||
653 | _aVasari, Giorgio. | ||
653 | _aVermeer: Procuress. | ||
653 | _aWoolf, Virginia. | ||
653 | _aZeuxis. | ||
653 | _avon Kulmbach: Studies of Men in Bondage. | ||
700 | 1 |
_aDe Piles, Roger _eautore |
|
700 | 1 |
_aFry, Roger _eautore |
|
700 | 1 |
_aReynolds, Joshua _eautore |
|
700 | 1 |
_aThore, Theophile _eautore |
|
700 | 1 |
_aVasari, Giorgio _eautore |
|
850 | _aIT-RoAPU | ||
856 | 4 | 0 | _uhttps://doi.org/10.1515/9780691252155?locatt=mode:legacy |
856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780691252155 |
856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691252155/original |
942 | _cEB | ||
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_c299953 _d299953 |