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001			299970
003			IT-RoAPU
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008			240307t20231995nju fo d z eng d
020			_a9780691252841 _qPDF
024	7		_a10.1515/9780691252841 _2doi
035			_a(DE-B1597)9780691252841
035			_a(DE-B1597)666253
035			_a(OCoLC)1408681282
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aART015000 _2bisacsh
082	0	4	_a709/.38
084			_aonline - DeGruyter
100	1		_aBoardman, John _eautore
245	1	4	_aThe Diffusion of Classical Art in Antiquity / _cJohn Boardman.
264		1	_aPrinceton, NJ : _bPrinceton University Press, _c[2023]
264		4	_c©1995
300			_a1 online resource (352 p.) : _b120 b/w illus.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aThe A. W. Mellon Lectures in the Fine Arts ; _v35
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tAcknowledgements -- _tList of Maps -- _tIntroduction -- _t1 Greek Art -- _t2 The Near East and the Persian Empire -- _t3 The Semitic World and Spain -- _t4. The East after Alexander the Great -- _t5 Egypt and North Africa -- _t6 The countries of the Black Sea -- _t7 Italy -- _t8 Europe -- _t9 Conclusion -- _tAbbreviations -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrom one of the world’s leading authorities on ancient Greek art, a groundbreaking account of how Greek images were understood and used by other ancient peoples, from Britain to ChinaIn this book, acclaimed archaeologist and art historian John Boardman explores Greek art as a foreign art transmitted to the non-Greeks of antiquity—peoples who weren’t necessarily able to judge the meaning of Greek art and who may have regarded the Greeks themselves with great hostility. Boardman examines how and why the arts of the classical world traveled and to what effect, from Britain to China, from roughly the eighth century BCE to the early centuries CE. In some places, such as Italy, Greek images were overwhelmingly successful. In Egypt, the Celtic world, the eastern steppes, and other regions with strong local traditions, they were never effectively assimilated. And in cultures where there was a subtler blend of influences, notably in the Buddhist east, classical images served as a catalyst to the generation of new styles. Along the way, Boardman demonstrates that looking at Greek art from the outside provides a wealth of new insights into Greek art itself, and he raises important questions about how images in general are copied and reinterpreted.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Mrz 2024)
650		7	_aART / History / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780691252841?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780691252841
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780691252841/original
942			_cEB
999			_c299970 _d299970