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020 _a9780691252988
_qPDF
024 7 _a10.1515/9780691252988
_2doi
035 _a(DE-B1597)9780691252988
035 _a(DE-B1597)666246
035 _a(OCoLC)1408681774
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015090
_2bisacsh
082 0 4 _a759.5
_222
084 _aonline - DeGruyter
100 1 _aFried, Michael
_eautore
245 1 4 _aThe Moment of Caravaggio /
_cMichael Fried.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2023]
264 4 _c©2010
300 _a1 online resource (314 p.) :
_b203 b/w illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aThe A. W. Mellon Lectures in the Fine Arts ;
_v35
505 0 0 _tFrontmatter --
_tContents --
_tPreface and Acknowledgments --
_tIntroduction --
_tLecture 1 Boy Bitten by a Lizard --
_tLecture 2 Immersion and Specularity --
_tLecture 3 The Invention of Absorption --
_tLecture 4 Skepticism, Shakespeare, Address, Density --
_tLecture 5 Severed Representations --
_tLecture 6 The Internal Structure of the Pictorial Act --
_tConclusion --
_tNotes --
_tPhotography and Copyright Credits --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA major reevaluation of Caravaggio from one of today's leading art historiansThis is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early Boy Bitten by a Lizard to the late Martyrdom of Saint Ursula. The result is an electrifying new perspective on a crucial episode in the history of European painting.Focusing on the emergence of the full-blown "gallery picture" in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.Please note: All images in this ebook are presented in black and white and have been reduced in size.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Mrz 2024)
650 0 _aComposition (Art).
650 0 _aPainting, Italian
_zItaly
_zRome
_y16th century.
650 0 _aPainting, Italian
_zItaly
_zRome
_y17th century.
650 7 _aART / History / Baroque & Rococo.
_2bisacsh
653 _aAgostino Carracci.
653 _aAlessandro Turchi.
653 _aAlphonse Legros.
653 _aAmor Vincit Omnia (Caravaggio).
653 _aAndrea del Sarto.
653 _aAnnibale Carracci.
653 _aAntonello da Messina.
653 _aArtemisia Gentileschi.
653 _aBenvenuto Cellini.
653 _aBronzino.
653 _aCaravaggio.
653 _aCaravaggisti.
653 _aCardsharps (Caravaggio).
653 _aCarlo Dolci.
653 _aCarlo Pedretti.
653 _aCecco del Caravaggio.
653 _aCerasi Chapel.
653 _aCesare Brandi.
653 _aCesare Ripa.
653 _aChiaroscuro.
653 _aCigoli.
653 _aDomenichino.
653 _aDuke of Florence.
653 _aFabriano.
653 _aFrancesco Maria del Monte.
653 _aGalleria Borghese.
653 _aGalleria nazionale di Parma.
653 _aGeorges Bataille.
653 _aGeorges de La Tour.
653 _aGiorgio Morandi.
653 _aGiorgio Vasari.
653 _aGiornata.
653 _aGiovanni Baglione.
653 _aGiovanni Bellini.
653 _aGirolamo Savoldo.
653 _aGiulio Mancini.
653 _aGiuseppe Cesari.
653 _aGuercino.
653 _aGustave Courbet.
653 _aJohn Shearman.
653 _aLorenzo Lotto.
653 _aLuca Giordano.
653 _aLudovico Carracci.
653 _aMadonna di Loreto (Caravaggio).
653 _aMario Praz.
653 _aMuseo di Capodimonte.
653 _aNarcissism.
653 _aOrazio Borgianni.
653 _aOrazio Gentileschi.
653 _aOrazio.
653 _aParmigianino.
653 _aPietro da Cortona.
653 _aPinacoteca Nazionale (Siena).
653 _aPontormo.
653 _aPutto.
653 _aRichard Wollheim.
653 _aSacrifice of Isaac (Caravaggio).
653 _aSaint Francis in Meditation (Caravaggio).
653 _aSalome with the Head of John the Baptist (Caravaggio), Madrid.
653 _aSalvator Rosa.
653 _aSan Luigi dei Francesi.
653 _aSupper at Emmaus (Caravaggio), Milan.
653 _aThe Carracci.
653 _aThe Musicians (Caravaggio).
653 _aThe Taking of Christ (Caravaggio).
653 _aTintoretto.
653 _aTitian.
653 _aUffizi.
653 _aVerism.
653 _aVittorio Sgarbi.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780691252988?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780691252988
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780691252988/original
942 _cEB
999 _c299977
_d299977