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020 _a9780691253008
_qPDF
024 7 _a10.1515/9780691253008
_2doi
035 _a(DE-B1597)9780691253008
035 _a(DE-B1597)666252
035 _a(OCoLC)1408681375
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aND653.B65
_bK64 2016
072 7 _aART016000
_2bisacsh
082 0 4 _a759.9492/09031
_223
084 _aonline - DeGruyter
100 1 _aKoerner, Joseph Leo
_eautore
245 1 0 _aBosch and Bruegel :
_bFrom Enemy Painting to Everyday Life /
_cJoseph Leo Koerner.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2023]
264 4 _c©2017
300 _a1 online resource (432 p.) :
_b325 b/w illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aThe A. W. Mellon Lectures in the Fine Arts ;
_v35
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tAcknowledgments --
_tIntroduction. Parallel Worlds --
_tChapter 1 In the Art- Historical Museum --
_tChapter 2 Life Time --
_tChapter 3 World Time --
_tChapter 4 From Bosch to Bruegel --
_tPart I. Hieronymus Bosch --
_tChapter 5 Enmity --
_tChapter 6 Among the Idols --
_tChapter 7 The Unspeakable Subject --
_tChapter 8 Self- Portraiture --
_tPart II. Pieter Bruegel the Elder --
_tChapter 9 History --
_tChapter 10 Culture --
_tChapter 11 Nature --
_tNotes --
_tIndex --
_tPhotography and Copyright Credits
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA bold new interpretation of two northern Renaissance mastersIn this visually stunning and much anticipated book, acclaimed art historian Joseph Koerner casts the paintings of Hieronymus Bosch and Pieter Bruegel in a completely new light, revealing how the painting of everyday life was born from what seems its polar opposite: the depiction of an enemy hell-bent on destroying us.Supreme virtuoso of the bizarre, diabolic, and outlandish, Bosch embodies the phantasmagorical force of painting, while Bruegel, through his true-to-life landscapes and frank depictions of peasants, is the artistic avatar of the familiar and ordinary. But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history’s unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists—including Bosch’s notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner’s A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DCPlease note: All images in this ebook are presented in black and white and have been reduced in size.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Mrz 2024)
650 0 _aGenre painting, Dutch
_y16th century.
650 7 _aART / Individual Artists / General.
_2bisacsh
653 _aAchievement (heraldry).
653 _aAllegory.
653 _aAllusion.
653 _aAltarpiece.
653 _aAmbiguity.
653 _aAnathema.
653 _aAnime.
653 _aArt history.
653 _aBeauty.
653 _aBeret.
653 _aBruegel (institution).
653 _aCaricature.
653 _aChapter 2.
653 _aChiaroscuro.
653 _aChristian martyrs.
653 _aClass action.
653 _aClass conflict.
653 _aConflagration.
653 _aCrime against nature.
653 _aCristofano Allori.
653 _aDescription.
653 _aEarly Netherlandish painting.
653 _aEmblem.
653 _aEmbroidery.
653 _aEngraving.
653 _aEveryday life.
653 _aFutures studies.
653 _aGenre painting.
653 _aGeorgius Agricola.
653 _aGluttony.
653 _aHatred.
653 _aHieronymus Bosch.
653 _aHigh Art.
653 _aHoly Roman Empire.
653 _aHumility.
653 _aHyle.
653 _aJames Strachey.
653 _aJan van Eyck.
653 _aJewish hat.
653 _aJudeo-Christian.
653 _aKarel van Mander.
653 _aLibrary.
653 _aLiterature.
653 _aMass of Saint Gregory.
653 _aMichael Wolgemut.
653 _aMuseo del Prado.
653 _aMuseo di Capodimonte.
653 _aMussel.
653 _aNatural and legal rights.
653 _aNobility.
653 _aPicture plane.
653 _aPieter Bruegel the Elder.
653 _aPity.
653 _aPogrom.
653 _aPoiesis.
653 _aProverb.
653 _aRoyal Library of Belgium.
653 _aSecond Letter (Plato).
653 _aSelf-control.
653 _aSelf-portrait.
653 _aSelf-preservation.
653 _aSpontaneous generation.
653 _aSymptom.
653 _aTavern.
653 _aThe Hay Wain.
653 _aThe Land of Cockaigne (Bruegel).
653 _aThe Seven Deadly Sins and the Four Last Things.
653 _aWallraf-Richartz Museum.
653 _aWoodcut.
653 _aWriting.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780691253008?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780691253008
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780691253008/original
942 _cEB
999 _c299978
_d299978