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020 _a9780691253046
_qPDF
024 7 _a10.1515/9780691253046
_2doi
035 _a(DE-B1597)9780691253046
035 _a(DE-B1597)666272
035 _a(OCoLC)1408681973
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015030
_2bisacsh
082 0 4 _a709.034
084 _aonline - DeGruyter
100 1 _aCrow, Thomas
_eautore
245 1 0 _aRestoration :
_bThe Fall of Napoleon in the Course of European Art, 1812-1820 /
_cThomas Crow.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2023]
264 4 _c©2018
300 _a1 online resource (208 p.) :
_b172 b/w illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aThe A. W. Mellon Lectures in the Fine Arts ;
_v35
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_tChapter 1 Moscow Burns/The Pope Comes Home --
_tChapter 2 At the Service of Kings, Madrid and Paris, 1814 --
_tChapter 3 Waterloo Sunset, 1815–17 --
_tChapter 4 The Religion of Ancient Art from London to Paris to Rome, 1815–19 --
_tChapter 5 The Laboratory of Brussels, 1816–19 --
_tChapter 6 Redemption in Rome and Paris, 1818–20 --
_tAcknowledgments --
_tNotes --
_tIndex --
_tPhotography and Copyright Credits
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aHow social upheavals after the collapse of the French Empire shaped the lives and work of artists in early nineteenth-century EuropeAs the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In Restoration, Thomas Crow combines a sweeping view of European art centers—Rome, Paris, London, Madrid, Brussels, and Vienna—with a close-up look at pivotal artists, including Antonio Canova, Jacques-Louis David, Théodore Géricault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters François-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all were joined in a newly international network, from which changing artistic priorities and possibilities emerged out of the ruins of the old.Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant historical actors into fresh artistic works. Crow discusses, among many topics, David’s art and influence during exile, Géricault’s odyssey through outcast Rome, Ingres’s drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time.Restoration explores how cataclysmic social and political transformations in nineteenth-century Europe reshaped artists’ lives and careers with far-reaching consequences.Published in association with the Center for Advanced Study in the Visual Arts, National Gallery of Art, Washington, DCPlease note: All images in this ebook are presented in black and white and have been reduced in size.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 07. Mrz 2024)
650 0 _aArt and society
_zEurope
_xHistory
_y19th century.
650 0 _aArt, European
_y19th century.
650 0 _aArt, Modern
_y19th century.
650 0 _aNeoclassicism (Art)
_zEurope.
650 7 _aART / European.
_2bisacsh
653 _aAbdication.
653 _aAncient art.
653 _aAnti-Catholicism.
653 _aAntoine-Jean Gros.
653 _aAntonio Canova.
653 _aApelles.
653 _aBarberini family.
653 _aBattle of Eylau.
653 _aBattle of the Pyramids.
653 _aBelvedere Torso.
653 _aBonaparte Crossing the Alps.
653 _aBourbon Restoration.
653 _aBradamante.
653 _aCampaspe.
653 _aCardinal Mazarin.
653 _aChivalric romance.
653 _aChivalry.
653 _aClytemnestra.
653 _aFrancisco Goya.
653 _aHellenistic period.
653 _aHigh Renaissance.
653 _aHis Family.
653 _aHorse and Rider (Leonardo da Vinci).
653 _aHouse of Bonaparte.
653 _aHouse of Bourbon.
653 _aHubert Robert.
653 _aInception.
653 _aJ. M. W. Turner.
653 _aJacques-Louis David.
653 _aJean Racine.
653 _aJean-Auguste-Dominique Ingres.
653 _aJoachim Murat.
653 _aJohann Friedrich Overbeck.
653 _aJohn Flaxman.
653 _aJoseph Bonaparte.
653 _aLouis Philippe I.
653 _aLouis XVIII of France.
653 _aMajesty.
653 _aMonti (rione of Rome).
653 _aMourning.
653 _aMuseo del Prado.
653 _aMuseo di Roma.
653 _aNapoleon.
653 _aNarrative.
653 _aOn the Eve.
653 _aPapal States.
653 _aPeninsular War.
653 _aPeter von Cornelius.
653 _aPhilipp Veit.
653 _aPiazza del Popolo.
653 _aPicturesque.
653 _aPietro da Cortona.
653 _aPontiff.
653 _aPope Pius VII.
653 _aPrivate collection.
653 _aRidicule.
653 _aRuggiero (character).
653 _aRump state.
653 _aSaint Veronica.
653 _aShip of State.
653 _aSistine Chapel.
653 _aSpanish Steps.
653 _aThe Artist at Work.
653 _aThe Intervention of the Sabine Women.
653 _aThe Raft of the Medusa.
653 _aThe Rape of the Sabine Women.
653 _aThe Third of May 1808.
653 _aThe Wounded Cuirassier.
653 _aWarfare.
653 _aWaterloo Campaign.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780691253046?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780691253046
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780691253046/original
942 _cEB
999 _c299980
_d299980