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020 _a9780691259536
_qPDF
024 7 _a10.1515/9780691259536
_2doi
035 _a(DE-B1597)9780691259536
035 _a(DE-B1597)671759
035 _a(OCoLC)1412008364
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPHI001000
_2bisacsh
082 0 4 _a111.850903
_221//eng/20230216eng
084 _aonline - DeGruyter
100 1 _aSchaeffer, Jean-Marie
_eautore
245 1 0 _aArt of the Modern Age :
_bPhilosophy of Art from Kant to Heidegger /
_cJean-Marie Schaeffer.
264 1 _aPrinceton, NJ :
_bPrinceton University Press,
_c[2023]
264 4 _c2000
300 _a1 online resource (376 p.) :
_b2 tables, 6 line illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aNew French Thought Series ;
_v2
505 0 0 _tFrontmatter --
_tContents --
_tForeword: The Speculative Philosophers of Art --
_tIntroduction --
_tPart One: WHAT IS PHILOSOPHICAL AESTHETICS? --
_tCHAPTER 1. Kantian Prolegomena to an Analytic Aesthetics --
_tPart Two: THE SPECULATIVE THEORY OF ART --
_tCHAPTER 2. The Birth of the Speculative Theory of Art --
_tCHAPTER 3 The System of Art (Hegel) --
_tCHAPTER 4. Ecstatic Vision or Cosmic Fiction? --
_tCHAPTER 5. Art as the Thought of Being (Heidegger) --
_tCONCLUSION. What the Speculative Tradition Misunderstood --
_tNotes --
_tIndex of Names --
_tIndex of Concepts
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThis is a sweeping and provocative work of aesthetic theory: a trenchant critique of the philosophy of art as it developed from the eighteenth century to the early twentieth century, combined with a carefully reasoned plea for a new and more flexible approach to art.Jean-Marie Schaeffer, one of France's leading aestheticians, explores the writings of Kant, Schlegel, Novalis, Hegel, Schopenhauer, Nietzsche, and Heidegger to show that these diverse thinkers shared a common approach to art, which he calls the ";speculative theory."; According to this theory, art offers a special kind of intuitive, quasi-mystical knowledge, radically different from the rational knowledge acquired by science. This view encouraged theorists to consider artistic geniuses the high-priests of humanity, creators of works that reveal the invisible essence of the world. Philosophers came to regard inexpressibility as the aim of art, refused to consider second-tier creations genuine art, and helped to create conditions in which the genius was expected to shock, puzzle, and mystify the public. Schaeffer shows that this speculative theory helped give birth to romanticism, modernism, and the avant-garde, and paved the way for an unfortunate divorce between art and enjoyment, between ";high art"; and popular art, and between artists and their public.Rejecting the speculative approach, Schaeffer concludes by defending a more tolerant theory of art that gives pleasure its due, includes popular art, tolerates less successful works, and accounts for personal tastes.";[A] remarkable work. [Schaeffer's] writing is governed by . the ideals of clarity and consequence, the ideas of logic, truth, and evidence. Schaeffer is so precise and unrelenting a philosophical critic that one wonders how some of the philosophies he anatomizes here can possibly survive the operation.";--From the foreword by Arthur C. Danto
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024)
650 0 _aAesthetics, Modern.
650 0 _aArt
_xPhilosophy.
650 7 _aPHILOSOPHY / Aesthetics.
_2bisacsh
653 _aAesthetic Theory.
653 _aAestheticism.
653 _aAesthetics.
653 _aAge of Enlightenment.
653 _aAntinomy.
653 _aArchetype.
653 _aArt for art's sake.
653 _aArthur Schopenhauer.
653 _aAvant-garde.
653 _aClassicism.
653 _aConcept.
653 _aConsciousness.
653 _aCritical philosophy.
653 _aCulture industry.
653 _aDetermination.
653 _aExplanatory model.
653 _aFigurative art.
653 _aFine art.
653 _aFirst principle.
653 _aGenre.
653 _aHistoricism.
653 _aHistoricity.
653 _aHistoricization.
653 _aIdealism.
653 _aIdealization.
653 _aImagination.
653 _aIntellectualization.
653 _aLiterariness.
653 _aLiterature.
653 _aMartin Heidegger.
653 _aModern art.
653 _aModernity.
653 _aNeoplatonism.
653 _aNovalis.
653 _aObjective idealism.
653 _aOntic.
653 _aOntology.
653 _aPhenomenon.
653 _aPhilosopher.
653 _aPhilosophy.
653 _aPoetry.
653 _aPolitique.
653 _aPositivism.
653 _aPostmodernism.
653 _aPotentiality and actuality.
653 _aPre-established harmony.
653 _aPrecognition.
653 _aRealism (arts).
653 _aReality.
653 _aReason.
653 _aRelativism.
653 _aReligion.
653 _aRomanticism.
653 _aScholasticism.
653 _aScientism.
653 _aSecularization.
653 _aSolipsism.
653 _aSpinozism.
653 _aSubjectivism.
653 _aThe Soul of the World.
653 _aThe Work of Art in the Age of Mechanical Reproduction.
653 _aTheodicy.
653 _aTheory of Forms.
653 _aTheory of art.
653 _aTheory.
653 _aThought.
653 _aTranscendental idealism.
653 _aTruism.
653 _aVolksgeist.
653 _aWork of art.
700 1 _aDanto, Arthur C.
_eautore
700 1 _aRendall, Steven
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780691259536?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9780691259536
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780691259536/original
942 _cEB
999 _c299995
_d299995