| 000 | 03892nam a22005535i 4500 | ||
|---|---|---|---|
| 001 | 300087 | ||
| 003 | IT-RoAPU | ||
| 005 | 20240316185424.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240306t20232002hiu fo d z eng d | ||
| 020 | 
_a9780824842468 _qPDF  | 
||
| 024 | 7 | 
_a10.1515/9780824842468 _2doi  | 
|
| 035 | _a(DE-B1597)9780824842468 | ||
| 035 | _a(DE-B1597)663167 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
||
| 072 | 7 | 
_aHIS021000 _2bisacsh  | 
|
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | 
_aKabuki Plays on Stage. Volume 1 : _bBrilliance and Bravado, 1697-1766 / _ced. by James R. Brandon, Samuel L. Leiter.  | 
| 264 | 1 | 
_aHonolulu :  _bUniversity of Hawaii Press, _c[2023]  | 
|
| 264 | 4 | _c©2002 | |
| 300 | _a1 online resource (408 p.) | ||
| 336 | 
_atext _btxt _2rdacontent  | 
||
| 337 | 
_acomputer _bc _2rdamedia  | 
||
| 338 | 
_aonline resource _bcr _2rdacarrier  | 
||
| 347 | 
_atext file _bPDF _2rda  | 
||
| 505 | 0 | 0 | 
_tFrontmatter --  _tCONTENTS -- _tPREFACE -- _tINTRODUCTION -- _tThe Felicitous Soga Encounter -- _tJust A Minute! -- _tMatahei the Stutterer -- _tThe Medicine Peddler -- _tThe Stone-Cutting Feat of Kajiwara -- _tLady Kuzunoha -- _tThe Secret Art of Rowing -- _tSummer Festival: Mirror of Osaka -- _tThe Skylight -- _tThe Sanemori Story -- _tThe Golden Pavilion -- _tThe Heron Maiden -- _tJapan's Twenty-Four Paragons of Filial Piety -- _tGLOSSARY -- _tSELECTED BIBLIOGRAPHY -- _tCONTRIBUTORS -- _tINDEX -- _tKABUKI PLAYS ON STAGE  | 
| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
|
| 520 | _aKabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes.As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.Published with the assistance of the Nippon Foundation. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) | |
| 650 | 7 | 
_aHISTORY / Asia / Japan. _2bisacsh  | 
|
| 700 | 1 | 
_aBrandon, James R. _eautore _ecuratore  | 
|
| 700 | 1 | 
_aIshikiri, Kajiwara Heizö Homare no _eautore  | 
|
| 700 | 1 | 
_aKagami, Natsu Matsuri Naniwa _eautore  | 
|
| 700 | 1 | 
_aLeiter, Samuel L. _eautore _ecuratore  | 
|
| 700 | 1 | 
_aM, Domo _eautore  | 
|
| 700 | 1 | 
_aMonogatari, Sanemori _eautore  | 
|
| 700 | 1 | 
_aMusume, Sagi _eautore  | 
|
| 700 | 1 | 
_aNijushikö, Honchö _eautore  | 
|
| 700 | 1 | 
_aTaimen, Kotobuki Soga no _eautore  | 
|
| 700 | 1 | 
_aUri, Uirö _eautore  | 
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9780824842468 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9780824842468 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824842468/original  | 
| 942 | _cEB | ||
| 999 | 
_c300087 _d300087  | 
||