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020 _a9780824842468
_qPDF
024 7 _a10.1515/9780824842468
_2doi
035 _a(DE-B1597)9780824842468
035 _a(DE-B1597)663167
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aHIS021000
_2bisacsh
084 _aonline - DeGruyter
245 0 0 _aKabuki Plays on Stage. Volume 1 :
_bBrilliance and Bravado, 1697-1766 /
_ced. by James R. Brandon, Samuel L. Leiter.
264 1 _aHonolulu :
_bUniversity of Hawaii Press,
_c[2023]
264 4 _c©2002
300 _a1 online resource (408 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPREFACE --
_tINTRODUCTION --
_tThe Felicitous Soga Encounter --
_tJust A Minute! --
_tMatahei the Stutterer --
_tThe Medicine Peddler --
_tThe Stone-Cutting Feat of Kajiwara --
_tLady Kuzunoha --
_tThe Secret Art of Rowing --
_tSummer Festival: Mirror of Osaka --
_tThe Skylight --
_tThe Sanemori Story --
_tThe Golden Pavilion --
_tThe Heron Maiden --
_tJapan's Twenty-Four Paragons of Filial Piety --
_tGLOSSARY --
_tSELECTED BIBLIOGRAPHY --
_tCONTRIBUTORS --
_tINDEX --
_tKABUKI PLAYS ON STAGE
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aKabuki Plays On Stage represents a monumental achievement in Japanese theatre studies, being the first collection of kabuki play translations to be published in twenty-five years. Fifty-one plays, published in four volumes, vividly trace kabuki's changing relations to Japanese society during the premodern era. Volume 1 consists of thirteen plays that showcase early kabuki's scintillating and boisterous styles of performance and illustrates the contrasting dramatic techniques cultivated by actors in Edo (Tokyo) and Kamigata (Osaka and Kyoto). The twelve plays translated in Volume 2 cover a brief period, but one that saw important developments in kabuki architecture, acting, dance, and the manipulation of characters and themes.As the series title indicates, the plays were translated to capture the vivacity of performances on stage. The translations, each accompanied by a thorough introduction that contextualizes the play, are based not only on published texts, but performance scripts and the study of the plays as they are performed in theatres today. Each volume is lavishly illustrated with rare woodblock prints in full color of Tokugawa- and Meiji-period productions as well as color and black-and-white photographs of contemporary performances.Published with the assistance of the Nippon Foundation.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)
650 7 _aHISTORY / Asia / Japan.
_2bisacsh
700 1 _aBrandon, James R.
_eautore
_ecuratore
700 1 _aIshikiri, Kajiwara Heizö Homare no
_eautore
700 1 _aKagami, Natsu Matsuri Naniwa
_eautore
700 1 _aLeiter, Samuel L.
_eautore
_ecuratore
700 1 _aM, Domo
_eautore
700 1 _aMonogatari, Sanemori
_eautore
700 1 _aMusume, Sagi
_eautore
700 1 _aNijushikö, Honchö
_eautore
700 1 _aTaimen, Kotobuki Soga no
_eautore
700 1 _aUri, Uirö
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9780824842468
856 4 0 _uhttps://www.degruyter.com/isbn/9780824842468
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9780824842468/original
942 _cEB
999 _c300087
_d300087