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001			300150
003			IT-RoAPU
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008			240306t20232023hiu fo d z eng d
020			_a9780824895020 _qPDF
024	7		_a10.1515/9780824895020 _2doi
035			_a(DE-B1597)9780824895020
035			_a(DE-B1597)649748
035			_a(OCoLC)1369147213
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aMUS015000 _2bisacsh
082	0	4	_a780.89/94323 _223//eng/20230207eng
084			_aonline - DeGruyter
100	1		_aWong, Chuen-Fung _eautore
245	1	0	_aEven in the Rain : _bUyghur Music in Modern China / _cChuen-Fung Wong; ed. by Frederick Lau.
264		1	_aHonolulu : _bUniversity of Hawaii Press, _c[2023]
264		4	_c©2023
300			_a1 online resource (264 p.) : _b12 b&w illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aMusic and Performing Arts of Asia and the Pacific
505	0	0	_tFrontmatter -- _tCONTENTS -- _tAcknowledgments -- _tNotes on Style and Translation -- _tMap -- _tCHAPTER 1 Ethnography and Music Scholarship -- _tCHAPTER 2 The Modern Sound of “Minority” Music -- _tCHAPTER 3 Muqam: Between National Heritage and Local Practices -- _tCHAPTER 4 Singing Muqam in Uyghur Pop -- _tCHAPTER 5 Modernist Reform and Uyghur Instrumental Music -- _tCHAPTER 6 Sounding Indigenous in the “Original Ecology” -- _tCHAPTER 7 Conclusion -- _tNotes -- _tReferences -- _tIndex -- _tABOUT THE AUTHOR
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aEven in the Rain: Uyghur Music in Modern China explores music as constitutive of Uyghur cultural and social life where subaltern experiences of ethnicity, race, and nationhood are indexed. A Central Asian Turkic-speaking, predominantly Muslim people, the Uyghur are identified in China as one of the fifty-five officially designated “minority nationalities.” Drawing on extensive fieldwork in the Uyghur homeland in the far Chinese northwest, Chuen-Fung Wong focuses on aspects of Uyghur music making as it faces the state’s management of minority art expressions. Music serves as a metaphor of the Uyghur nation—as heritage (miras), culture (medeniyet), and tradition (en’ene)—while it struggles to survive, respond, and adapt to the Chinese state’s aggressive maneuvering and the broader intercultural influences that have shaped Uyghur performing arts in modern times. As the Uyghur and other non-Han peoples in China continue to be minoritized under the pretexts of multiculturalism and cultural enlightenment, local musicians and audiences react with a vast range of performing and listening approaches to engage assimilation, racism, and other grim realities of everyday life.Even in the Rain provides the political, historical, and theoretical context to address overlapping genres and soundscapes, which are bound by creative processes that have negotiated the state’s minority policy and the collective pursuit of identity. With a focus on the minoritized musical consciousness in Uyghur performance, especially on the ways in which Uyghur musicians encounter modernity under a colonial context, this book examines the cultivation of a unique musical deftness that has allowed musicians to move across the various localizing strategies and intercultural practices. Uyghur musical modernity should not be understood as the passive acceptance of outside influences—and certainly not the erasure of indigenous elements and national heritage. Local traditions and hegemonic influences sometimes appear to be more collaborating than conflicting, in that subaltern expressions actively opt to manifest in forms that are dominant and deemed universal. This timely and comprehensive analysis spans approximately seven decades of modern Uyghur musical life, during which musicians and audiences adopted an array of methods, experimenting with new identity formations to navigate life as often reluctant Chinese citizens.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024)
650		7	_aMUSIC / Ethnomusicology. _2bisacsh
653			_aAnthropology.
653			_aEthnic Studies.
653			_aEthnomusicology.
653			_aUyghur Culture.
653			_aUyghur Music.
700	1		_aLau, Frederick _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9780824895020?locatt=mode:legacy
856	4	0	_uhttps://www.degruyter.com/isbn/9780824895020
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9780824895020/original
942			_cEB
999			_c300150 _d300150