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020 _a9789048539239
_qPDF
024 7 _a10.1515/9789048539239
_2doi
035 _a(DE-B1597)9789048539239
035 _a(DE-B1597)663280
035 _a(OCoLC)1381165066
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART017000
_2bisacsh
082 0 4 _a808.2/3095
_223//eng/20230922eng
084 _aonline - DeGruyter
100 1 _aPromkhuntong, Wikanda
_eautore
245 1 0 _aFilm Authorship in Contemporary Transmedia Culture :
_bThe Paratextual Lives of Asian Auteurs /
_cWikanda Promkhuntong.
264 1 _aAmsterdam :
_bAmsterdam University Press,
_c[2023]
264 4 _c©2023
300 _a1 online resource (270 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTransmedia ;
_v12
505 0 0 _tFrontmatter --
_tTable of Contents --
_tAcknowledgements --
_tIntroduction --
_tPart I: East Asian Film Authorship, Transmedia Spaces, and Paratextual Economies --
_t1. Film Festivals, Paratextual Networks, and the Mediated Auteur Life Cycle --
_t2. Remnants from Distribution Channels and (Un)tenable Authorial Positions --
_t3. Textual, Material, and Spatial Participations in Transmedia Auteur Culture --
_tPart II: Text, Body, and Performance among East Asian Star-Auteurs --
_t4. Co-creating an Assemblage of Selves through Commissioned Artworks --
_t5. The Auteur in Crisis: Self-confessions and Performative Excess --
_t6. Celebrity Authorship and Multiple Mediated Bodies --
_tConclusion --
_tFilmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFilm Authorship in Contemporary Transmedia Culture: The Paratextual Lives of Asian Auteurs examines film authorship in the transmedia era whereby film directors have become public figures through a wide range of textual, material, and performative practices. The book draws on the notion of paratext and its related term – palimpsest – to bring forth the idea of self-reflexive authorship as a method of examining the mediated past, present, and afterlife of East Asian filmmakers. The first part of the book pays attention to materials surrounding film festivals, multi-platform distribution, and cinephile/fan creative practices, which have been created, rewritten, and shared to foster and problematize the reputations of selected filmmakers. The second part examines alternative modes of self-projections and creative productions that address the filmmakers’ sense of selves and relations with the industry and the public. Across different chapters, discourses surrrounding film authorship and East Asian cinema are revisited and expanded to highlight its multiple histories and possible futures.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Jun 2024)
650 0 _aMotion picture authorship
_zAsia.
650 4 _aEast Asia and North East Asia.
650 4 _aFilm Studies.
650 4 _aFilm, Media, and Communication.
650 4 _aMedia Studies.
650 7 _aART / Mixed Media.
_2bisacsh
653 _aAuthorship, East Asian cinema, film culture, transmedia.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9789048539239?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9789048539239
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9789048539239/original
942 _cEB
999 _c302622
_d302622